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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Bill Pope, ASC & RED

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We just wrapped a week long shoot, with one of my favorite cinematographers Bill Pope, ASC. Who has photographed some of the most technical challenging movies, such as:

The Sprit
Spiderman 2 & 3
The Matrix Revolutions
Enter The Matrix
The Matrix Reloaded
The Matrix Revisited
The Matrix
Team America
Fire In The Sky
Darkman
Zero Effect

This was a week long shoot, for UPS using 3 RED Camera's.
Happy Holidays & enjoy some of the pix's.
 
When The Spirit comes out tomorrow, look for all of the lovely slow motion footage captured on the Phantom HD. They had a Phantom for the entire run of the production, and this was before CineMags were available. I understand it looks lovely. I believe there's an article coming soon in American Cinematographer.
 
When The Spirit comes out tomorrow, look for all of the lovely slow motion footage captured on the Phantom HD. They had a Phantom for the entire run of the production, and this was before CineMags were available. I understand it looks lovely. I believe there's an article coming soon in American Cinematographer.

Now I want to see this movie just to see how they used the Phantom. I've heard the movie is one of the worst films this year...just what I've heard.
 
Thanks for posting.

It seems perhaps during the slow down in Features, many DPs are taking this opportunity to try out the RED on other projects. When things ramp up again, look out!
 
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