Dave Archer
Active member
So for my Scarlet footage I buy the 30" LCD and finish at 2560 x 1440 (for personal use).
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OK the loud sycophantic cheering has drowned out my question about the graph on page 1 of the thread.
The graph shows things starting to get inaccurate at about 3500
Am I reading that wrong? If so, perhaps it's better not the post the graphs and just tell us that you've made the chip or whatever better... the 35 pages of responses all saying "well done red team" will still materialise... and you won't get bothersome people like me actually wondering what the graph is showing us.
Like I said on page 1, the graphs don't mean anything to me other than seeing some nice smooth gradient or whatever, and it seems to go to 4K but it has some spikes and such that break the curve severely from about 3500 onwards, and there's no explanation of how that's OK. Which is all I'm wondering about.
Question for the software experts: why does the luminance average out to below the center line once it can no longer be resolved? Both graphs do it so I assume there must be some optical phenomenon or principle of debayering which causes it.
I'm sure it's not anything that any human or even software would ever notice or care about, just curious.
Dear Mr Jannard,
We have kidnapped Graeme Nattress and are holding him for ransom. We demand 1 Trillion Yen or the Red Magic.
Call us when you are ready to meet our demands or the Digital Shaman gets it.
- Sony & Panavision
But he's already Thane of Canada. BTW, why isn't he on the dignitary dais at the Olympics?!LOL, Graeme should definitely change his job title to Digital Shaman.
Well... even we were lulled to sleep with conventional thinking. It was the industry's perception (before RED) that the most measured resolution you could get from a Bayer Patter sensor was 75%. We showed that with Graeme's magic, you could get 80%. We believed for the past 2 years that was the theoretical limit.
We were wrong. What new techniques in the new sensor, new OLPF, new debayering technology, better compression and a wicked sharp RED Pro Prime... that "limit" has been blow by.
Here is a test of the new M-X sensor shot 4K 16:9 at REDCODE 42 with a 100mm RPP. It shows that 4K now yields 3.5K measured resolution (as compared to 3.2K in old tests). We also will show (as soon as I post the next chart) that 4.5K from the same sensor and lens yields a true 4.1K measured resolution.
I guess the "RED doesn't really deliver 4K" is old news.
Jim
4.5K showing measured resolution of 4.1K. (85mm RPP)