Derek Van Gorder
Active member
Hello,
I am currently editing a 40 min. student short shot on the Red One at 4K, and I'm wondering what's the best possible means of screening the film, given student financial limitations. Due to some very generous donations, we managed to shoot it for about $2000. At this level, is there any reasonable alternative to just projecting an SD DVD? Festivals will come later; how can I get the movie to look as good as possible for its debut screening?
The school in question currently only has the means for SD and film projection; would having the school rent an HD projector be a practical request in terms of cost and set-up? And if so, what kind of output should I be gearing towards from Final Cut?
Should I consider projecting from a computer and just playing a quicktime export?
P.S.: On a related note... Clearly 35mm filmout is not an option, but looking into that got me wondering: what are the possibilities for 16mm filmout from Red footage? Has anyone tried this? Probably still outside their price range, but I couldn't even find any info on Google about it, and it seemed like an interesting notion to me, given the school is set-up to deal with 16mm film all the time.
I am currently editing a 40 min. student short shot on the Red One at 4K, and I'm wondering what's the best possible means of screening the film, given student financial limitations. Due to some very generous donations, we managed to shoot it for about $2000. At this level, is there any reasonable alternative to just projecting an SD DVD? Festivals will come later; how can I get the movie to look as good as possible for its debut screening?
The school in question currently only has the means for SD and film projection; would having the school rent an HD projector be a practical request in terms of cost and set-up? And if so, what kind of output should I be gearing towards from Final Cut?
Should I consider projecting from a computer and just playing a quicktime export?
P.S.: On a related note... Clearly 35mm filmout is not an option, but looking into that got me wondering: what are the possibilities for 16mm filmout from Red footage? Has anyone tried this? Probably still outside their price range, but I couldn't even find any info on Google about it, and it seemed like an interesting notion to me, given the school is set-up to deal with 16mm film all the time.
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