Tom Lowe
Well-known member
- Joined
- Jan 5, 2007
- Messages
- 8,520
- Reaction score
- 1
- Points
- 0
Is anyone renting out SI-2K or SI-2K minis? That might be a good option.
Follow along with the video below to see how to install our site as a web app on your home screen.
Note: this_feature_currently_requires_accessing_site_using_safari
Is anyone renting out SI-2K or SI-2K minis? That might be a good option.
Just making sure you know that this won't be as good as shooting straight to Cineform codec right? It will still be the hdv codec and all the problems but basically in a cineform timeline. You could convert to ProRes if you are editing final cut pro. Or capture to ProRes from a Mac Pro.
Just another option with a proven workflow and amazing quality is a DVX with a Andromeda modification.
What will be your post production requirements? Are you just doing simple color corrections and then applying a look in something like magic bullet? If so sraight hdv should work no problem. You only really need less compression than hdv if you are doing drastic color changes, alot of fast motion, and heavy visual effects.
If this is a story driven movie I would spend that 10k on talent,wardrobe,location, audio sweetening, and post production.
The Sony XDCAM EX is gonna make much of the hassle go away. Maybe save your $10,000 and buy it. Some time in Sept it will be out.
Kicks the Canon all around the block. True 24P, Cine Alte, 1/2" CCDs 35Mb/s to the best mpeg2 4:2:0 there is. ExpressCard for storage about $250 for a 16G. Stuff it in yer laptop and throw away the dross.
I dunno I'm saving up for one, be about $8000 with 14x Fujion with real focus and aperture rings. Hard to beat outside of a Red.
I was tryng to stay way from 4.2.0 all together, the XH-A1 records HD in 4.2.0 and Analog in 4.2.2, for now I continue to look for ways to get the best out of this camera and wen time comes to start shooting I will ceck the Sony out but it will be likely to late wen it comes out.
It is obvious that been the people that originated the 24p in the world of digital put together with Cinealta and is a no brainer what to expect from that, wil see.
Thanks for heads up on this camera.
Ciao,
KETCH ROSSI
Yeah, we are going to be shooting with the SI-1920 pretty much exclusively until RED time....1920 x 1080, RGB 4:4:4 to Cineform