Simon Dunne
Well-known member
- Joined
- May 6, 2007
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http://www.bbc.com/news/technology-28440076
There's a picture in the article showing a cameraman using a RED. I'm unaware of the full scope of the trail, but it's interesting to see that the red is being used instead of (from what i can tell), Panasonic or Sony kit. I'm guessing the broadcast module is beginning to get into the right hands, plus, it's got the advantage of HFR. I'd be keen to know what they're doing about colour space and if they've got a desk of OCP's in a racks room. Or just any live production work-flow info would be great
There's a picture in the article showing a cameraman using a RED. I'm unaware of the full scope of the trail, but it's interesting to see that the red is being used instead of (from what i can tell), Panasonic or Sony kit. I'm guessing the broadcast module is beginning to get into the right hands, plus, it's got the advantage of HFR. I'd be keen to know what they're doing about colour space and if they've got a desk of OCP's in a racks room. Or just any live production work-flow info would be great