Dermot Shane
Well-known member
- Joined
- Mar 6, 2009
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A workflow that i have been playing with is;
1)make a HD/175 project, link everything in there, work out the kinks, and butterfly the show with the off-line Qt.. then once i have producer sign off;
2)then open the timeline in a RED 4K project with 4.4.4 proxies for gradeing and final tweaks.. then once i get sign off's again;
3) Playout the proxie timeline to HDSR, and switch off the proxies to render DPX for film out
this way the 4K RED files are only changed when rendered to DPX for film out, and you get the advantage of HD's speed when you need it... and 4K's quality when you need that...
d.
1)make a HD/175 project, link everything in there, work out the kinks, and butterfly the show with the off-line Qt.. then once i have producer sign off;
2)then open the timeline in a RED 4K project with 4.4.4 proxies for gradeing and final tweaks.. then once i get sign off's again;
3) Playout the proxie timeline to HDSR, and switch off the proxies to render DPX for film out
this way the 4K RED files are only changed when rendered to DPX for film out, and you get the advantage of HD's speed when you need it... and 4K's quality when you need that...
d.