Welcome to our community

Be a part of something great, join today!

Log in
  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Autodesk Stereoscopic Filmmaking Whitepaper

Transvideo has what they claim to be the first field monitor that allows operator to view stereoscopic 3D output from two cameras at once wearing the blue and red glasses.

-shooter
 
shooter said:
Transvideo has what they claim to be the first field monitor that allows operator to view stereoscopic 3D output from two cameras at once wearing the blue and red glasses.

-shooter
Click to expand...
They can claim whatever they like but Steve Hines of Hines lab had one twenty years ago. I believe Paradisefx has one also.
 
chuck colburn said:
They can claim whatever they like but Steve Hines of Hines lab had one twenty years ago. I believe Paradisefx has one also.
Click to expand...

I should have specified first HD-SDI. Which in case of Red Users is quite important I'm sure you'll agree.

http://www.transvideointl.com/
CineMonitorHD 3DView
The first HD SDI monitor in the world for 3D D-Cinema field use. The CineMonitorHD 3D View includes several mode to help the operator to correlate cameras and to preview the image in anaglyph mode.

-shooter
 
shooter said:
I should have specified first HD-SDI. Which in case of Red Users is quite important I'm sure you'll agree.

http://www.transvideointl.com/
CineMonitorHD 3DView
The first HD SDI monitor in the world for 3D D-Cinema field use. The CineMonitorHD 3D View includes several mode to help the operator to correlate cameras and to preview the image in anaglyph mode.

-shooter
Click to expand...

I see what you mean. But why would one need to view in HD when shooting?
 
You must log in or register to reply here.
Back
Top