Mathieu Ghekiere
Well-known member
- Joined
- Jan 3, 2007
- Messages
- 715
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- Points
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- Location
- Belgium
- Website
- www.productionsofthe3rdkind.com
After 12 months of using it... and got quite use to it... and really tried to like it... Ive let it go. The magnetic time line I do like, not having Ins and outs and being able to export single clips or movies, without going to compressor, a play head that keeps flying around under your the pen tool... constant crashing, low res playback until rendered, staggered playback if rendering in the back ground, RED R3D's are clunky to edit...
I figured out that I hate work arounds and that my time is precious... I was faster editing at some points, but really slow in other areas... over all. I was going backwards with my time per day. I never really had any problems or work arounds with FCP7 , Prem Cs6 equally less... So why do I have to do work arounds with X....
Hi Mark,
I don't get what you are saying about In's and Out's... But just a couple of other things:
- Unlike with 10.0.0, FCPX now remembers your in and out points you set on a clip... Even better, you can have multiple in and outs (ranges), just with shortcuts, and put them on the timeline with one keystroke. So in concrete, I can go trough an interview, just mark in and out while it's playing, push one keystroke, and it's all there in the timeline. I just have to connect B-Roll above it, and done. Very quick...
- The skimmer (playhead moving around)... First things first, there is a big button and shortcut you can use and it's off... Second thing: I hated it at first too, now I can't live without it. It's a great tool to very fast get trough footage, compare things, etc. ...
- Constant crashing... It wasn't the most stable release 10.0.0., but this was to be excpected. It still isn't rock stable as 7 was, but I rarely get crashes anymore, and I never loose work.
- Export Single movies from a timeline is possible now. Added in an update. You don't have to go to compressor anymore.
- Background Rendering can be switched off, and most of us have.
- R3D's slow to edit... Since 10.0.6 it has native R3D support. Have you seen the tutorials from Sam from WeMakeMovies? They are great, and show a LOT of the power of FCPX. Highly recommended: http://themovieswemake.com/tutorials/ (check his RED Workflow videos)
You can have automated proxies generated on the background, switch with one button. In my opinion it's MUCH better then CS6 and FCP7, because it combines some of the best features of both (having RAW support and 4K output, but also not ONLY editing with native R3D resulting in some less stable timelines, especially long form). I would like to be able to adjust more RAW parameters than you can now in FCPX though.
I'm not trying to persuade you. But if you break down the software (partly) based on FUD (features that can be easily switched off, some things that are have been corrected in updates, etc.), then I just have to step in.
You say you used it for a year, but you seem to have missed some basic things in the software, as I pointed out above, so I take your statement about using it for a year with a grain of salt. And, to make sure: I've got a lot of respect for you as a filmmaker. You just said some incorrect statements.
And about the workarounds and learning new stuff: I hated FCPX first too. I even asked my money back. I used it again after 10.0.3, and had a big hate/love relationship. But I got intrigued, and used it more and more, and learned how the timeline worked more and more. Now I switched 100 procent of my work from 7 to X and I couldn't be happier.
I think some people have very legit complaints about FCPX, and I'm not going to say they are all stupid for ignoring it. I can only say based on my own experience that the cliché that FCPX users say about a lot of haters not knowing the software truly well and that you (well, a lot of us ;-)) learn to love it after re-learning a lot, every day, is correct.