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- #21
Christoffer Glans
Well-known member
If anyone know anyone over at Netflix that could look into this because the quality of the 1080p version is pure crap. I'm stunned this cleared through QC.
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Here in the U.S., we can't yet watch Annhiliation because it's still in theaters, but I look forward to seeing it on Netflix.
Šabović Adis;1791160 said:Why illegal download?
Because if all digital SDR copies have gone through Paramounts QC and have this problem that means no digital copy is correctly balanced for SDR and the only one that looks correct is the Blu-Ray copy, which means a rip of that. I would gladly pay digital download price and illegally download it just to have a correct version, because I never trust QC people to sort out their mess.
Šabović Adis;1791176 said:Um, what I meant was, since You're not an illegal person, why don't You download it personally, instead of illegally, and don't let anyone tell You differently?! :wink5:
With the rest I agree 100%. :thumbsup:
Seems like some shots are made on the Weapon as well, which is interesting since nothing is mentioned at Red.com?
Haa I figured my network connection was bad at the time, and netflix was delivering me a shitty version. Turns out everybody on netflix get the shitty quality. Good job Netflix, well done.
Note on the film:
I did not really like the ending though. Why would they let them talk to each other, surely there would be blood tests etc. And they would know something is off. Also confused why Natalie(forgot the characters name) is asking, you are not my husband right. And then still hugs him?
Maybe she is comforted just by the thought of him(his physical appearance). Natalie seems to remember everything, so she is the original Natalie.
I'm not sure they'll gonna fix it though…
Rumor has it, it's been fixed—if you want to rewatch it.
https://ascmag.com/articles/annihilation-expedition-unknown
supposedly about 70% was shot Red Weapon Dragon initially for a different suposedly less naturalistic feel ...
All exteriors/interiors of Area X were shot on Red - everything else was shot on Sony F65 in conjunction with the F55. The F65 shots look much softer and hazy, whereas the Red footage was sharp and vivid.