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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

An Examination of Cooke iPanchros. a Review.

timur, i can't watch in the UK?
 
Nice review and video Timur. We have a complete set of Panchro/i lenses at TCS. I love the size performance combination. Of course, if you need the stop you can either go to S4 or 5/i. The 5/i opens up a new set of applications including remarkable edge-to-edge performance.


We have a new office: 599 11th Avenue, Ground Floor @ 45th Street. Feel free to come on by
 
Samples from the new short... almost done shooting. Various Panchros all at T/2.8

A003_C001_0509D5_001.jpg


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A009_C005_0510M6_001.jpg


A011_C007_0510K0_001.jpg


A012_C015_0511LH_001.jpg


clint.jpg


Yeah, I'm pretty happy with my investment ;)
 
Awesome Chris. You can definitely tell you had a photography background before getting into Red recently -- really digging your lighting and the look of your images. Can't wait to see the film when it's done :)
 
Timur,

Great testing BTW, thanks for posting.

Question for you... on the Sony S-Log/XDCam test, did you ever try recording a 4:2:2 10bit to ProResHQ or DNxHD codec's to compare a third option for that camera? I'm sure S-Log will still take the cake, however, love to hear how one of these two codec's did in the grading process? Definitely an upgrade from the XDCam compression.

Also, did you have any issues with the CineDeck? Just wondering...

Thanks,

Alex
 
we did record to a mac tower @ 10bit 422 PROresHQ once. looked incredible. Sharper, cleaner, and more lattitude.

10bit is the way to go.
 
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