Frank Weeks
Well-known member
I love the look and understand your funds were limited but I'm not sure why you promote it as micro-budget. It doesn't come across that way in the trailer. Is there a marketing strategy at work here?
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Thanks again for the support and comments guys! The TS Eliot quote is pretty famous, and in the original the poem it's repeated three times so we used that for a structural theme (can't claim that the repetition was our idea or anything, ha!).
The teaser does a lot of teasing without much telling, that's for sure (but that is indeed the intent). We were trying to go for something a bit subdued, simple and elegant, not too poppy or flashy and a bit like a lullaby with a subtle undercurrent of darkness, ha! And Sid you hit the nail on the head, MB Looks was exactly what we used. We don't plan on using it for the film itself but it was handy at the time, hehe! Redcine-X will do the trick and then some, all we really need to do is curve it away from the 'milk' you get from Redspace and balance everything, but that's still a few weeks down the road.
We're days away from picture lock and I'll be heading to LA to do the 5.1 mix throughout April.
Oh yeah, church scene: practicals and one 600w LED panel from Cool-Lights with CTO on it.
Glad you guys like what you saw so far...the very, very tip of the iceberg, I can assure you...
Yes a lot of the presets are pretty cliche'd, look at "Berlin," "Dream Look" and the infamous "Blockbuster" for the most overused...
But yes you can dial them back and get some more subtle looks, the amount of control you have and the robust options make it a very good final pass CC program, and it's also very user friendly.
It's easy to get carried away with though so you have to always keep yourself from doing something that may look cool, but doesn't work with your content.
Best of luck with the feature!