Alexa

[Sanjin Jukic]

I work work with RED1 and still glass especially Leica-M lenses, some of super fast Canon FD and Nikon manual zooms.

Here there are some shots from today with a short test clip at the bottom end.

All shot on RED-1-M with extraordinary Leica Apo-Summicron-M 75mm ASPH f/2.0.

Also I heard that Alexa has a sort of universal exchangeable mount

"to swap the PL mount for a Panavision, Canon, Nikon, Leica or almost any other lens mount"...

Leica Apo-Summicron-M 75mm ASPH f/2.0 on RED1.

Shot on RED-1-M with extraordinary Leica Apo-Summicron-M 75mm ASPH f/2.0.

Shot on RED-1-M with extraordinary Leica Apo-Summicron-M 75mm ASPH f/2.0.

Shot on RED-1-M with extraordinary Leica Apo-Summicron-M 75mm ASPH f/2.0.

Shot on RED-1-M with extraordinary Leica Apo-Summicron-M 75mm ASPH f/2.0.

Shot on RED-1-M with extraordinary Leica Apo-Summicron-M 75mm ASPH f/2.0.

Shot on RED-1-M with extraordinary Leica Apo-Summicron-M 75mm ASPH f/2.0.

All shots were done with RED1 on CineSaddle.

Two sweet Japanese girls were fan of Leica and RED.

Download one short test clip with audio>>>

 

[Pawel Achtel]

2. A new 12mm Master Prime 1.3!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Well e-moted. Nice.

 

[Phil Bates]

This conversation reminds me of when we did our first time-lapse cloud shoot in 1997. We rented a Mitchell/Fries with a Nikon mount. It must have been fairly common gear for plate work.

Phil