Byron Nash
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I just got done completing my first visual effects on Red footage. Going into it I thought I would take dpx files of the raw Red images and work with those in AE. Then render out dpx again to send back to the edit and final color grading. We couldn't really get that whole process to work very well and I'm trying to figure out how to improve the process. One issue was that they did the color grading at the very last step so I was having to update my shots at the last minute to incorporate color changes. The editor was having trouble bringing the dpx files out of AE so we ended up just rendering to lossless animation and dumbing it down to 8bit on output(from AE).
Here are my questions:
Thanks for any input. This has been a learning experience for sure. And I felt like I knew a little about it going in even. Maintaining color gamut AND reproducing without color shift is the tricky target I'm after.
Here are my questions:
- Do you normally add your cg elements to a color graded plate or the 'raw' plate?
- What's the best way to render out of AE to get it back into Apple Color/FCP and maintain color bit depth?
- If I work in Rec. 709 in AE, shouldn't there be no color shift from the incoming plate to the final FX render?
Thanks for any input. This has been a learning experience for sure. And I felt like I knew a little about it going in even. Maintaining color gamut AND reproducing without color shift is the tricky target I'm after.