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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Adobe support...

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Rob Lohman said:
Premiere & AE (CS3) will load native R3D at up to 4K on both Mac & Win. We have nothing new to report for FCP or CS4 (I'll pre-empt you guys there) at this point in time.
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Apple sure better get off their collective butts, or Adobe is likely to make inroads in Final Cut territory - not that there's anything wrong with that. I use FCP to edit and AE to finish - but would have no problem switching to Premiere.:biggrin:
 
You... did all this... just for me (sniff)? I'm... I'm touched.

For now, I'm just a poor starving wannabe movie maker. But someday... someday... I'll pay you back... I swear.
 
Dear good lord, thank you Jim, thank you so much!

I have a thousand and one questions about this but i wont swamp your mind with questions that everyone will be asking a million times over anyway.

This is coming up next week, im going on holiday in 2 weeks, it's my birthday in early September and I (hopefully) get my RED soon after.

Life is good Mr. Jannard, life is good...
 
this makes a complex ballet with several stops and gos, turnarounds and in-between processes to a one-stop solution.

finally, we have *the* clear answer for so many confused customers.
 
Time to buy Premiere.

Do we know yet if we can take the R3Ds and scale it down to a lower res to edit?
 
Best news I have heard all week. Up until now we were still trying to figure out our future workflow with Red, but this pretty much makes the decision for us. Of course this really depends on how this full support works, but I have high hopes for the adobe workflow.
 
One of my big questions as well, but seeing as how adobe seems to have a great grasp of RAW workflow, I have high hopes for this as well. Just imagine having full RAW control in a native timeline from within premiere. If possible, I can't imagine that I would want much more than that.
 
Evin Grant said:
How much RAW image control will you have in Premier? (Color, exposure control, DRX)
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Having worked with RAW in Premiere, and .R3D files in Redcine... I would say the two are comparable in terms the ability to control and manipulate the grading.

Add something like Magic Bullet, and the Premiere side becomes more powerful, IMHO.

-Thor
 
I leave my computer for a few hours and see what happens...

Thank you all who made these things come to pass.

Remarkable!!!
 
that Adobe rep better show up quick or the natives might storm Adobe HQ
 
Thats great news for windows, I thought it might take a little longer, so I bought a iMac today. Oh well, two eggs, two baskets is fine..
 
If you've worked with Lightroom, then you'll know that it only makes sense for Adobe to be a leader in the RAW image processing, especially considering they are working on Cinema DNG.

-Thor
 
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