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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Adobe plugin update

lrdAbyss said:
Mr. Hayhurst... does your statement still hold?.. or has your schedule been backed-up by a "couple of weeks?"

Trying to wrap my head around delivery dates :mail1:
Click to expand...


The Adobe team is working extremely hard to get it out asap. We'll have another update on where things stand next week.
 
How I see new FCP support is not quite as robust as newly coming Adobe CS4 workflow in resolution independent and metadata handling, so I would expect rewrite in apps to support such environment. I saw CS4 and Matrox Axio was working really great and also, the demo given by Adobe Japan on RED ONE support was promising.
 
Kaku Ito said:
How I see new FCP support is not quite as robust as newly coming Adobe CS4 workflow in resolution independent and metadata handling, so I would expect rewrite in apps to support such environment. I saw CS4 and Matrox Axio was working really great and also, the demo given by Adobe Japan on RED ONE support was promising.
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Metadata Handling?
Does that mean there is a chance that, within Premiere or AE, the plugin will provide access to some of the RAW tweaking like in Redcine? (Iso, gamma etc.)
 
C.K. said:
Metadata Handling?
Does that mean there is a chance that, within Premiere or AE, the plugin will provide access to some of the RAW tweaking like in Redcine? (Iso, gamma etc.)
Click to expand...

You can even see that in the previous QT that DAV provided, but yes, Adobe support seems to be working just like how the Cineform active metadata works. Even the Encore works the same way. The best of all, you can change the metadata, work through during the process but they are not destructive if I'm not mistaken.

Also, the resolution you work with is not even destructive. You can choose the low resolution and lower debayer level to match your CPU speed, do (should I say active-offline) offline, then when you finally encode to the final master, then you put the resolution back to the highest. Apple doesn't do this even with the new support.
 
Marcus Flack said:
hey there, what codec do you output your quicktimes to? And what type of res are you working with natively in Prem?
Peace
Click to expand...

Hi Marcus,

Not sure if that question was to my post, or someone else's.

I have been outputing as 1080p using QT with H.264

Then importing into Premiere CS2. Works a treat.

One small issue is that none of the colour changes I applied in Redcine seemed to be applied, but I did that in Premiere, so not a big problem.

I can't comment about audio though, as the project I am doing this for does not have any audio.

Antony
 
Kaku Ito said:
You can even see that in the previous QT that DAV provided, but yes, Adobe support seems to be working just like how the Cineform active metadata works. Even the Encore works the same way. The best of all, you can change the metadata, work through during the process but they are not destructive if I'm not mistaken.
Click to expand...

Do you have a link to that video? I saw a video (back in august) in which you could see the resolution-independant capabilities of Premiere... But nowhere did I see anybody tweaking the iso/gamma from a r3d file within any adobe program... You sure of that???

That would be grrrreat! :w00t:
 
I don't think I was dreaming, but we have to make sure. Maybe confusing with Cineform.
 
Here's the video link http://mbsdirect.com/redone/

it looks like they demo non destructive premier effects but it doesn't seem to be a "red room" environment to manipulate camera metadada. I wouldn't be surprised if they release the plugin with an adobe version of red room... Here's hoping.
 
Ah, right, so only the decode setting, the detail, denoise, sharpen parameters are non destructive on the video. Sorry, it was my imagination then. But the resolution independent is so much better here than the current FCP workflow.
 
Adobe Premiere 64

Adobe Premiere 64

Here is a link to an Adobe PDF talking briefly about things to come. They just recently released the update of Premiere Pro 4.0.1 which re-architected for 64bit OS to utilize more memory. The AE release isn't scheduled until December sometime, hopefully around the same time the R3D plug-in becomes available.

http://www.adobe.com/products/premiere/pdfs/red_adobe_cs4_beta.pdf
 
Confusion about release of Plugin

Confusion about release of Plugin

This question might sound a little silly, but I am genuinely confused:

Is the R3D plugin for Premiere (Windows) released or not? There is an older post by one of the Administrators saying that is will be releases on the 20th of November. And there are a couple a press releases and annoucements

http://news.softpedia.com/news/Adobe-Premiere-Pro-4-0-1-Available-Download-Here-98393.shtml

http://www.broadcastnow.co.uk/technology/news/2008/11/adobe_and_red_test_r3d_workflow.html

http://www.studiodaily.com/main/news/10212.html

all stating that the plugin can be downloaded on the red.com/support page. I looked there a couple times, but I couldn't find it.

Do i have to write to someone and ask for the plugin? How do I get it?

Thanks,
Jonathan
 
Jonathan,
the release has been delayed. Still not out…
 
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