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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Adobe- deblur tool.. DAMN

mind blown +1
 
Pretty awesome! Be interesting to see how much it can save. I've got a fair few shot to practice on! Looking forward to experimenting with that one for sure.

The video mesh as a concept is not anything new really, there is a lot of this kind of thing coming out. We've done it by hand for a good few years but to have a computer handle it for you is GREAT.
 
My question revolves around how he 'loads some parameters' from a file once per photo. He opens up a folder with 3 files and opens a separate file for each of the 3 photos. The tech seems cool, but they never discuss this aspect in detail. I wonder how well the tech works from scratch without customized extra input for each image.

Bill
 
I would imagine he's loading up the proper presets for each example, remember this is only a sneak peak. Perhaps the final product will incorporate several presets into one. This will certainly be a great tool for artists everywhere, much like the content aware technology in CS5. With this and all the advances in sensor technology (ie. Hasselblad's 200mp trick), pretty soon we'll be scrolling through and examing pictures like "Blade Runner".
 
Amazing, But its a motion blur fix and rarely soft focus due to motion blur in cinema. Its more a miscalculation by a focus puller. So although it fascinating to se these monster thinkers putting together
algorythems its still not something as useful to the cine world as we would think...IMHO
 
sergio arguello said:
Amazing, But its a motion blur fix and rarely soft focus due to motion blur in cinema. Its more a miscalculation by a focus puller. So although it fascinating to se these monster thinkers putting together
algorythems its still not something as useful to the cine world as we would think...IMHO
Click to expand...

It seems the field is really making strides with this sort of technology and calculations. I think Lytro is somehow related, although maybe not. The math is way over my head.

http://www.gizmag.com/lytro-consumer-light-field-camera-shifts-focus/18996/

With Lytro the camera records the angle of the light hitting the sensor, which is what you change when you focus with the lens. Then in post, you can change the angle, and create whatever DoF you want.

Even if it's just motion blur, this gives a photographer the ability to shoot in lower light with a slower shutter speed, and go handheld which is still really cool.
 
sergio arguello said:
Amazing, But its a motion blur fix and rarely soft focus due to motion blur in cinema. Its more a miscalculation by a focus puller. So although it fascinating to se these monster thinkers putting together
algorythems its still not something as useful to the cine world as we would think...IMHO
Click to expand...

Actually I'm really excited about this because right now the only thing that really throws a wrench into Warp Stabilizer is motion blur...Warp Stabilizer can steady the overall motion, but then you see these weird blurs happen when the camera moved (ironically you can see that the person who shot the video ran it through Warp Stabilizer and you can see the effect I'm talking about). This could potentially fix every aspect of an unsteady shot!
 
Amazing and practical tool; good for Adobe. But, does anyone think these kinds of capabilities are going to stay exclusive to one company?
 
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