M.Halsell
Well-known member
Anyone care to chime in the color management potential of an ACES worflow with Prores? How can ACES provide consistent color from camera -> master -> display -> final delivery?
Will there need to be an IDT for the entire exposure index?
On a multi camera shoot, will each camera need to provide an ACES profile? Or will a single profile work as long as each camera has the same ISO and color temp?
Is ACES simply keeping a neutral file through out the production process and managing viewable color with a LUT? Without an ACES EXR, does that invalidate the entire workflow?
Will there need to be an IDT for the entire exposure index?
On a multi camera shoot, will each camera need to provide an ACES profile? Or will a single profile work as long as each camera has the same ISO and color temp?
Is ACES simply keeping a neutral file through out the production process and managing viewable color with a LUT? Without an ACES EXR, does that invalidate the entire workflow?