A taste...

[Tony Lorentzen]

A new product that starts with an "A" ?

 

[Benni Diez]

I've been taking Ninja classes over the last few weeks. Last night I finally made it. Jim, you should really work on your security system...


Ladies and Gentlemen:

Meet SCARLET...

...and EPIC

I heard them mumbling something about '360 degree 4D' nonsense... :huh:

 

[Paul Cronin]

Looks like it is time for me to go Scarlet and Red One.

 

[Joseph Ward]

More A B C's...

Jim

What is this? Something thats near bottons?:shifty:

 

[Michael Panfeld]

Not sure what this means...

Jim

OK, clearly that's a pair of XLR inputs and dual HD-SDI ports. That's a support rod on the right. 15/19mm?

Looks like the ports are on the bottom.

 

[liquidigital]

SPECULATION ONLY:

I'm thinking Scarlet/DSMC will be more reflective of the 5d Mark II price range.

It will stay 3k, but because of this it will achieve higher frame rates.

Interchangeable. New RED lens line will be introduced.

The first truly professional tool for video and stills.

That said, please don't forget the weather seals.

Or the Flash Exposure Lock. Very under-rated feature. Only Canon (FEL) & Nikon (FV) have it, as far as I know.

 

[Matthew Rogers]

OK, clearly that's a pair of XLR inputs and dual HD-SDI ports. That's a support rod on the right. 15/19mm?

Looks like the ports are on the bottom.

That would be possibly be an even worse idea than the mini-bnc/xlr's on the RED One. Plus, look at the bottom left part of the image. There is a RED logo it looks like. I will be shocked if the ports are on the bottom or top--mainly because both of those places are horrible places to hook cables that are running off the camera.

Matthew

 

[Jaime Vallés]

I think the image was rotated 90 degrees. Check out the orientation of the XLR "push" buttons... they're sideways.

Here's how I think this fits in.

 

[Jim Perry Jr.]

To bad Nov 13, doesn't fall on a friday.
When camera makers see the result of
this CHANGE it will be Friday the 13
for them. This has been one of the
best rides of my tech career.

These renders are awesome!!!
How will others ever keep up!
MORE... pls.... MORE

 

[brandon thomas]

Epic 6-8K res 4:3 sensor for IMAX! but 16:9/ other aspect ratio modes to conserve storage for non 4:3 imax projects.. $40-50,000

Scarlet 2-3k res, full frame sensor, no PL mount, but a nikon mount , 2 xlrs, 12MP stills, 180 fps/300 burst, $3-4500........

just dreams, not expectations.

keep up the good work guys! can't wait for next week.

 

[Roberto Lequeux]

It keeps getting more and more beautifully confusing.

 

[Anders Holck]

Hmmm....

- Mini XLR's....

- Funny reflection on the bottom.

- Putting 3 BNC's in that cut out seems like a tight fit, might be 2 BNC's + reflection.

 

[Steve Tammi]

- Funny reflection on the bottom.

I was just working on that...

 

[Anders Holck]

Yes but the grooves doesnt seem to match.
The grooves and "hills" on the left image are of equal thickness, where the reflection has thinner grooves, with thicker "hills"

 

[Mark L. Pederson]

Here's what I see ...

 

[Ariana]

Here's what I see ...

You see dead people too?

 

[Mark L. Pederson]

You see dead people too?

I meet obsolete ones all the time.

 

[Mark L. Pederson]

You see dead people too?

Ariana - I'm pretty sure you can read BETWEEN THE SEAMS ...

 

[Ariana]

Ariana - I'm pretty sure you can read BETWEEN THE SEAMS ...

Sure I can. I see a dead canon, nikon, arri, sony, and panavision between the seams.

 

[Mark L. Pederson]

Sure I can. I see a dead canon, nikon, arri, sony, and panavision between the seams.

he he he he