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617 is mostly used as a panoramic image format. Think HS senior class photo...
Yeah, that's the problem because, I'd imagine, 99% of potential Epic 617 users won't be filming class photos or panoramas in 24p. I'm trying to get an idea of how 617 handles close-ups, two shots, etc.
I think the 617 is going to mostly be used as a specialty rental item for select projects, but we'll see.
Desert mesas at sunset are great and all, but does anyone have 617 format images of people or groups? Also, can anyone shed some light on 617 DOF and overall feel relative to medium format or 35mm?
Desert mesas at sunset are great and all, but does anyone have 617 format images of people or groups? Also, can anyone shed some light on 617 DOF and overall feel relative to medium format or 35mm?
Desert mesas at sunset are great and all, but does anyone have 617 format images of people or groups? Also, can anyone shed some light on 617 DOF and overall feel relative to medium format or 35mm?
Possibly, but 617 should also appeal to guys like Nolan (and Nolan wannabes) who wish Imax wasn't such a beast. The DOF, rectilinearity and overall feeling of these large formats is really impressive. Dark Knight proved 70mm isn't just for submersibles and space shuttles.
Imax: 49mm x 70mm
645: 42mm x 56mm
617: 56mm x 186mm