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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

# 507 in Jakarta, Indonesia

Jose Poernomo said:
Will be shooting a comedy in Bali using RED
hopefully starting mid June.

have tested and will use FCP -> crimson -> redcine -> Base Light

wish me luck
Click to expand...

Base Light does not support native Redcode files as fasr as I know, and outputing DPX or Tiff files from Redcine is very time consuming though for 60 mons show !!!

Stewart
WOW Holdings
HKG
 
pvillow said:
Is there any feature film that entirely shot with RED from Asian countries yet?

Percy, which one is better if we dealing with R3D materials:
Printing to camera negative stock or intermediate film?

Anyone will go to Broadcast Asia event?
Click to expand...

Sorry missed this mail

We are paly a major film work role in Indonesian Movie.
My first Movie with Indonesia is way 28 years ago..
The Cindarella, musical with Indonesia kids.
I work for Vfx and animation.

Please contact me of line
percy@digitalmagic.com.hk

Currently we think REDAlert with Log and trasfer is a good workflow
Awaiting for the excitment with Build 16

Percy
RED film work, Digital Cinema DCDM/DCP mastering, and 3d Stereo works
RED 1647, 1648, with arri kits and Zeiss lens set
Friend with 1304
Hong Kong
:bye2:
 
For Indonesian team

Look for Pak Wong to see our RED 35mm filmclip
Advise us what you feel??
 
Hi Percy

Does Pak Wong provide 4K Film Print from RED ONE. Or we have to take it to Digital Magic ? We will have RED ONE footage soon and trying to figure who can done it better and help us to do it as show case from our camera.
 
Rivai said:
Hi Percy

Does Pak Wong provide 4K Film Print from RED ONE. Or we have to take it to Digital Magic ? We will have RED ONE footage soon and trying to figure who can done it better and help us to do it as show case from our camera.
Click to expand...


Pak Wong is our consultant in Jakarta, ie we have other consultant in other Aisan country. He would be in Hong Kong next week.

So you could go either straight to us, or through Pak Wong.
Cost is the same.
Pak Wong has a lot of experience in solving various arrangements and film post problem.

I really would like to start to work for the first RED feature from Indonesia..
Send ne some clip when ready, I will ask Pak Wong to show you a 35mm Cinematic film clip in Jakarta.

Percy
:bye2:
 
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