Neil Cronin
Well-known member
I'm about to shoot some indoor harshly lit stuff, so I am planning on shooting 3k HDRX. I have three mysteries that I can't find any info on.
1) HDRX -- I can't get any tools outside of Redcine-x to understand this. Do I need to render it all within Redcine-x and then export as dpx or prores? How do folks cut HDRX footage and then run the project through Resolve?
2) Comound clips -- I can't get Resolve or Redcine-x to understand FCPX compound clips. Do I just need to not use that feature of Final Cut when editing r3d files?
3) Resolve colors the black letterboxes of 3k HDRX footage. I assume I'm making some minor error in setting up the project? Or is this just a "viewer" pane issue? Or is Resolve creating black bars and then coloring them? The reported resolutions in Resolve look like what my camera shot, but it's clearly coloring the letterboxes...
Thanks in advance for any insights or tips on these questions,
-neil
1) HDRX -- I can't get any tools outside of Redcine-x to understand this. Do I need to render it all within Redcine-x and then export as dpx or prores? How do folks cut HDRX footage and then run the project through Resolve?
2) Comound clips -- I can't get Resolve or Redcine-x to understand FCPX compound clips. Do I just need to not use that feature of Final Cut when editing r3d files?
3) Resolve colors the black letterboxes of 3k HDRX footage. I assume I'm making some minor error in setting up the project? Or is this just a "viewer" pane issue? Or is Resolve creating black bars and then coloring them? The reported resolutions in Resolve look like what my camera shot, but it's clearly coloring the letterboxes...
Thanks in advance for any insights or tips on these questions,
-neil