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- #61
Jeff Kilgroe
Well-known member
What about a larger sensor then ... using the same pitch that the 3K's use. What dimensions would it be at that pixel size to get 4K?
The pixel size on the RED One Mysterium sensor, as well as the new S35 Mysterium-X sensor, are 5.4 microns (0.0054mm). The 2/3" Scarlet cameras have more densely packed pixels on their sensors (3 microns wide).
For me when I hear Mini-primes I start to think DX from the Nikon world. Excellent lenses but wrong stick of the evolutionary system. Even red is going S35 eventually with the scarlet, so I guess - be forewarned.
You guys are looking at this the wrong way. The 2/3" format is here to stay, it's just a different format with several different attributes compared to S35, Full Frame, etc..
To address other comments in this thread, the 2/3" Scarlet is not really a "starter RED" or made for students. Sure, it's more affordable due to the smaller, much less expensive, sensor. It just is what it is. And that is a 2/3" camera which jumps right into the same market as the Sony F23 and other smaller / less capable 2/3" cameras.
Not everyone buying a RED One shoots narrative cinema or always wants or needs a S35 frame. Typical ENG work is hell on a S35 system at times. It requires larger lenses and heavier equipment to lug around, it requires more attention to accurate focus. The broadcast market would not switch over the S35 or larger sensors, even if they were the same price. It does not make sense for their format. I'm not sure where some of these lines of thinking are coming from...