Michael Hardwick
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- Oct 31, 2007
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Hi all -
I posted on some of the threads in the 3D section, but didn't receive much in the way of responses. Perhaps waving a flag here may get some helpful suggestions.
Prepping a job - equipment ships Monday evening, shoot Tuesday morning.
Shooting 3D with a parallel rig. Everything seemed to be going great... Happy with the rig, Matched the optics, FIZ set for stereo NP, Sync and Timecode from an Ambient 203 Lockit - cameras
display the padlock and chain icon. Master and Slave mode working great. File allocation/slate info set properly.
Time to align the cameras.
Sending L and R HD-SDI signals to a Panasonic 2550 3D Monitor. Expecting to see a nice stereo overlay to begin dialing things in.
Wrong
The Panasonic monitor requires both signals coming in to be genlocked, and what we saw was the classic out of sync overlay - you know what I mean... hard to describe - other than completely unusable
So I'm feeding both cameras genlock and timecode, and they report that they are happy. But HD-SDI output/monitor path is not sending out signals that are genlocked.
Granted this was attempted at the end of a long prep day, and I only had about 15 minutes to work on the issue before I had to go and pick up my sons from daycare..
Here are the details:
Both cameras Red MX, Build 30.7 (We have a nod and wink to upgrade to Build 31 Beta but on our own heads be it)
2K, 16X9, Redcode 36
25 frame timebase, 25 Frame Sync signal from Lockit.
Intention is to shoot Varispeed 100 FPS 2K 16X9 - the reason for 25 Frame Timebase.
Could the output sync issue be due to the 25FPS timebase? Pull down issue?
First thing Monday I'll switch to 23.98 timebase on cameras and Lockit to see if that might fix-it
We do have a Transvideo 6" 3D monitor coming Monday, but might be difficult to align using such a tiny screen.
Any suggestions? Many thanks in advance.
I posted on some of the threads in the 3D section, but didn't receive much in the way of responses. Perhaps waving a flag here may get some helpful suggestions.
Prepping a job - equipment ships Monday evening, shoot Tuesday morning.
Shooting 3D with a parallel rig. Everything seemed to be going great... Happy with the rig, Matched the optics, FIZ set for stereo NP, Sync and Timecode from an Ambient 203 Lockit - cameras
display the padlock and chain icon. Master and Slave mode working great. File allocation/slate info set properly.
Time to align the cameras.
Sending L and R HD-SDI signals to a Panasonic 2550 3D Monitor. Expecting to see a nice stereo overlay to begin dialing things in.
Wrong
The Panasonic monitor requires both signals coming in to be genlocked, and what we saw was the classic out of sync overlay - you know what I mean... hard to describe - other than completely unusable
So I'm feeding both cameras genlock and timecode, and they report that they are happy. But HD-SDI output/monitor path is not sending out signals that are genlocked.
Granted this was attempted at the end of a long prep day, and I only had about 15 minutes to work on the issue before I had to go and pick up my sons from daycare..
Here are the details:
Both cameras Red MX, Build 30.7 (We have a nod and wink to upgrade to Build 31 Beta but on our own heads be it)
2K, 16X9, Redcode 36
25 frame timebase, 25 Frame Sync signal from Lockit.
Intention is to shoot Varispeed 100 FPS 2K 16X9 - the reason for 25 Frame Timebase.
Could the output sync issue be due to the 25FPS timebase? Pull down issue?
First thing Monday I'll switch to 23.98 timebase on cameras and Lockit to see if that might fix-it
We do have a Transvideo 6" 3D monitor coming Monday, but might be difficult to align using such a tiny screen.
Any suggestions? Many thanks in advance.