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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

24bit/96khz & 192khz sorry for audio noob question

but u r not seeing the harmony nor your playing very well with moving sounds. ur missing the surround point, it's not in the channels, it's in the connection between them, the space between them.it's what happens in conjunction between the channels in the space away from the channels.(i think)
 
amrrahmy,

I have no idea what point you are trying to convey here, so perhaps you might want to restate it.

As for SoundField recordings, they uniquely capture all the information that arrives at a single point in space from all three dimensions along with the pressure (W) information. They, in my experience, convey the best representation of the natural acoustic space of any recording style (when played back with a system that can recreate 3D sound space).

Kevin Halverson
 
that's the reason why u don't need more than 4 channels.(any professional would only use 4 ch to make 5.1). it's ridiculous to put an odd channel between four channels. what were they thinking?. if u want to add more channels u need to add more channels all around the space.it needs to be 8.1 now
 
sound editing include importing external audio tracks that might not have been recorded on set, sound effects and other stuff like music or whatever needs to be made surround, u don't have to limit yourself with only the recorded on set to be surround, that's when a gui would come in handy
 
music, i dont mean exactly soundtrack, well more like in movie music that isnt on set
 
or that trans into soundtrack
 
that's why it's called surround editing, other wise it would be normal sound editing.
 
and 3d is diff than surround
 
Is there any good GUI based 3D editing tools for PC that you would recommend?
Audition has one major problem, it doesn't let me process phase(delay) for each Track when I do monitor the final Master or at least the bus A or B. Or I didn't figure it out how to do it?

I have to decide up front the track content, mix it and compose it in to the single track.
Once I create one single track from such mix I can edit such track again.
No multi track edit in Audition, only multichannel, one, two, or 5, that is all.
Even Premiere allows me to do multi-track edit (limited functions though) but not Audition.

What I need is to be able to adjust each track position in the space when listening to the final (master or bus) output.
 
Hello Andrew,

I don't have a suggestion for another PC DAW that I really like and certainly none that is going to integrate as well into an Adobe workflow. Now that I understand what you are trying to accomplish, let me see if I can come up with a workaround that will accomplish the task.

Might be a day or two, but I will let you know what I learn.

Kevin Halverson
 
Thanks! Kevin highly appreciated.

Also what are you using for the height vertical placement/adjustment of sound.
 
Hello Andrew,

It's really nothing more than a bit of calculus to obtain the coefficients for the primary SoundField signals to the delivery channel configuration. We do A to B format conversion in hardware and delivery channel configuration formating in software. Since we have a specified location for the playback channels, there is no guessing necessary, just apply the math and the results are nearly perfect every time.

Kevin Halverson
 
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