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Hi! I know that most major films removes the glass in space helmets, due to the reflection issues. One of my next projects has three days of shooting an astronaut with a helmet, and removing the visor/glass is not an option. I understand there's no easy way to do this, some of the tips I have...

Hi! Some questions regarding a upcoming camera choice I am to make for a series which needs to be shot in 4k. I am considering anamorphic, either Cooke or Atlas lenses. I dont know if I will be able to deliver 2.39:1 or 16:9, but I am exploring the possibility of shooting anamorphic anyway, and...

Hi everyone! Looking to buy into a new wireless follow focus system, and I am a little bit torn on what to buy. Looks like the new Motr.x from Teradek RT will not be ready to ship before I need it in mid-march for a long shoot. I dont want to buy into their “old” 3.1 motor, when the brand new...

If link doesnt show as embedd. https://vimeo.com/57603458 Opening sequence for Norwegian Eurovision finals, shot on RED EPIC and Canon C300. Shot in Studio C@Storyline Studios, Oslo, Norway. This piece opens the 2 hour broadcast, Norways biggest TV-show, and introduces the area and the nights...

Hi everyone! Im working on how to make a superlight, both portable and c-standable videovillage, for a director who needs to be in the action. Theres going to be two SmallHD DP6 or AC7 together in some way, and two Paralinx recievers. Hopefully, everything can be powered from one v-lock battery...

Read all about this shoot at my webpage. www.hkarlsen.no/blog

Hi there! Just wanna check if theres any "tricks of the trade" out there when it comes to lighting for food. Gonna do some food packshots on a upcoming shoot, not sure on equipment and lighting packages yet, but as I understand, its all about lots of soft sources. Like lighting a car? What...

Hi! Nov. 3 stirred things up a bit in my thoughts on what cam to get. Heres my (and I guess many others) problem. Scarlet has the technical advantage over the C300 (on paper), but for my work the current post-workflow is a bit worrying. Im a shooter/owner who delivers a lot to HD Broadcast...

Read all about it here: http://www.hkarlsen.no/2011/06/animals-øyafestival-promoshoot-2011/ Basicly, the 8-65 S16 Canon PL is a must have if you are planning on wide shots in 120 fps crop mode. Few people have access to Epic, so the RED MX is still the most accessable high speed camera out...