Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)
I have a perfect looking and working, lightly used Advanced Panel for sale in NYC at a very attractive price. It is currently set up and in use in my facility. Selling to help fund feature.
PM me for details. Or email at emailists1 at yah()()
Does anyone have suggestions for a new York city based producer/line producer for an under $1 million dollar feature?
Even if you're not available or for hire - I'd love to talk with anyone here who's produced a feature around this budget Level who might have time for a coffee or drink on me...
Virtually unused Cineraid 16 Bay Rack mount 3 unit CR-R16E + Areca 1880-2 V2 PCIe Card.
16 Bays fully populated with Seagate Constellation ES 1TB drives.
Mini Sas connector included - 5 or 6 feet
Used only for Client backup - so it has only 200-300 hours of use -much of which was idle...
16 Bays fully populated with Seagate Constellation ES 1TB drives.
Mini Sas connector included - 5 or 6 feet
Used only for Client backup - so it has only 200-300 hours of use -much of which was idle.
Completely built and tested from Cineraid. Redundant Power Supplies
Original cost was around...
I need to move to a new edit platform from FCP7 and am seriously considering Resolve as my new edit and grading app.
I own the paid version and think as they develop the collaboration aspect it could be a great platform for doing a feature film with ingest station, assistant editor, sound...
I have a Sony pvm 20L5 with a 16x9 hard mask I have been planning on replacing with a modern panel, but then I saw a video from about 2 years ago with a major colorist saying he would keep his CRT as long as possible.
So my question is if I get a 4k client Monitor (in another post I mentioned...