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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

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  1. J

    Keeping it 12 bit

    I have a project shot on Epic that I would like to keep 12 bit all the way to DCP. It has to go back to FCP7 for titling and additional edit tweaks, so I will render in ProRes 4444 from R3D's (at 2048x858). Questions I have are: Does Resolve render 444 in YUV or RGB, and is it really 12 bit...
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