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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

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  1. J

    Chroma Key for RED ONE

    Simple(?) question: Is there anything specific about the RED that would make one chroma color superior to another, in other words, green screen or blue screen, which is best for the particulars of the RED?
  2. J

    Error with Proxies in Color

    I couldn't find anything when I searched, but sorry if this is a repeat. I've been using the proxy work flow, using half-rez (high rez?) proxies for 4k footage. I have (for the most part) been able to easily trim clips in FCP, and would like to continue to use this method, as it is saving me...
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