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Anyone got one used for sale? If not I am buying new but I figured I'd ask... Thanks!

Just bought a used Scarlet and am awaiting its arrival from inspection, trying to decide how many mags it would take to shoot continuously using the usb3 reader coupled with a new macbook pro or air to say a TB R6, USB3 Raid of some sort, or perhaps Drobo 5D (once it ships). I am hoping to cut...

I am putting together a Scarlet package and am located slightly outside of NYC, would love to cosign it away to a rental house as a way to keep it busy. I am currently a DIT/Editor and I am only free to use it two or three days a week since I am on a set using a different Red/Avid. So this is...

http://eshop.macsales.com/item/OWC/HELIOSTB1/ If I remember correctly the Red Rocket is a full length card and will not fit in it, correct? I am just looking around for portable rocket options to accompany my new laptop. I want to be a bit more mobile than using a xeon cart...

were taking 4k/3k from the scarlet and transcoding to dnxhd 175 10bit and were seeing weird strobe effects in clips. Anyone else getting any of this? Its not happening in camera, or in the original files as far as we can tell on set, the transcodes are being done else where so after it leaves...

so before i pry one open and replace all the drives needlessly i was trying to see had any of my fellow redusers tried this yet?....would love it if i could throw 6 4tb drives in one.... basically id like to have one huge raid with a small foot print running with a new mbp for mobility...

We are capturing directly into avid via the capture tool, a bnc cord, and a multibridge pro (which converts the True 24P signal into PsF). For those of you that have used the Pix240 and are familiar with the HD SDI flags, I was wondering if there is a way to make Avid capture using this same...

We have been shooting ten hour days 5 days a week using the same 64gb redmag. We typically capture using hd sdi but keep shooting on and formatting the card as a back up form of capture the entire day, and occasionally we use 4k shots when we need a different frame rate for something. That...

we are taking the hd sdi cords and routing them to a few monitors and then to the avid mojo. on the mojo preview window we are getting some weird horizontal lines in the frame, as though something isn't syncing right. we have tried various frame rates/aspect ratios and various output codecs...

i was wondering how accurate it works and if any of you guys find it helpful for transcribing long interviews? i have yet to try it myself personally and was hoping to just get some feedback from others on if its accurate or not. thanks

I saw no one had a thread here on this yet (turns out they did and I jumped the gun, but it was more focused on subscription pricing then on buy to own pricing, so the threads are somewhat different)... But I think its pretty big news and wanted to see what some of you felt. To lay it out...

It should be noted I am new to Avid entirely and a non epic owner, so please have some patience with my ignorance, I am a total newb on the NLE. I made a new sequence/project, went to my bin, right clicked import and I got the following error message when trying to import "the file format of...

I recently graduated from Southern Connecticut State University with a degree in Video Production (on honor roll) and was wondering if any of you could advise me on what you think is the best course of action for me now. Come December it will be an entire year I have been unable to find a full...

I have been reading up on this for a while and hear conflicting findings on if a SSD internal really helps significantly with encoding times. I am using a Core 2 duo 2.26ghz with 4gbs of ram. I am going to put in 8gbs of ram and basically am stuck trying to justify or not justify getting an...