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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

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  1. J

    Problem creating ProRes files

    I'm editing a short film (offline) with Final Cut Pro 7 on an Intel iMac (Snow Leopard). I'm editing with ProRess proxies (422), created in FCP with Log & Transfer. Everything's been going quite right, but I've run in to a problem with transcoding 3 shots from the last couple of reels to ProRes...
  2. J

    Problem with proxies in Final Cut Pro 7

    I've encountered a problem while editing Red material offline with ProRess 422 proxies I made in Final Cut Pro using Log & Transfer. (I'm editing on a Mac Pro with Final Cut Pro 7.) I started editing offline on an iMac intel dual core, which worked perfect. But I also had to work on a second...
  3. J

    Changing aspect ratio with a mask to 2:40:1

    Don't know if this the right section for this, but I'm trying it anyway... I'm editing a short student film (offline) on an Apple Mac Pro in Final Cut Pro 7. And I'm using ProRess 422 proxies of the original Red files, made with Log & Transfer, for the offline edit. The aspect ratio of the...
  4. J

    Reconforming ProRess files

    I'm a first time user (editing with Red) and I'm going to edit a short film in Final Cut Pro 7 on a Mac Pro (quad core). I'm going make an offline edit using ProRess files of the original Red Files, which I rendered using Red Rushes.(The ProRess files I've stored in new folders, per shooting...
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