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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

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    Zeiss Contaxt - Haze, Dust or something else?

    Hi All, In the process of purchasing Zeiss Contax AEG lenses, to then Cine Mod them. It's been going pretty good, but I've received one that I'm not too sure about. A 28mm. Upon inspecting the inside of the lens using a flashlight, I saw something that could be the beginnings of haze, dirt...
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    [HELP WANTED] DP for Short Films

    DP wanted for horror/sci-fi/fantasy short film(s). Shooting in the LA or SF areas. Please be local to LA or SF or able to work as a local. Ultra low-budget so traveling expenses/boarding are pretty much non-existent. Pay is negotiable and dependent upon experience/skill. Please do keep in...
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    [FOR HIRE] Looking for a DP

    Hey all, Have some projects coming up (short films) and in need of a DP. Shorts are in the horror, sci-fi genre (think twilight zone, etc.). Some projects will be low paid as they are being made to garner social media interest for crowd funding. While a large sci-fi proof of concept short...
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    Most you can punch in before losing quality

    Hey all, So how far can you scale in on a 4K image before losing quality (softness sets in)? I realize it probably happens with 1%, but how far can you push it before it's noticeable to the eye? And if so, is there anything you can do to hide the softness? (i.e., unsharp mask, etc.) I have...
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    DPX - Final Workflow!!! Ahhhhh!

    Hello everyone, So ended up on a workflow that I think will work based on what I'm dealing with, but ran into a snag with .dpx files. As I posted before my biggest issue was getting my rescaling info and speed changes to stick with my clips when sending for VFX and CC. After going around...
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    2.39 and 2.40 aspect ratio! Going Nuts!

    Hey all, I've been looking in DCP requirements, etc. and have been told as well as read, that they require a 2.39 aspect ratio. I've posted on this before, but now that I'm at the stage of doing vfx and color, and getting ready to move r3d files to those people, I'm finding my aspect ratio to...
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    VFX/CC Workflow options

    Hi all, I posted recently on something similar but now I have a couple possible avenues for the post work depending on who I end up going with (VFX/CC people) Here are the two options and how I'm understanding is the best workflow for each. Please critique anything you see being wrong...
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    Maintaining high quality through VFX and Color

    I saw a similar post in this forum but I didn't want to hijack the conversation. So I'm posting here with a specific question in the same subject. I have r3d files, completed an offline edit with apple prores 1080p, transcoded from the RAW. Ready to move to VFX and Color. Now I know you can...
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    Final Output Resolution

    Hey Everybody, I recently shot a short film on the RED Epic at 4K, 2:4:1 ratio. So 4096 x 1708 In editing, I've had to reframe shots, many times punching in. I'm on the cusp of either mastering in 2k or 1080p. My goal would of course to get into some festivals and get it shown on the big...
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