Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)
http://www.fxguide.com/featured/gravity/
So, it looks like Framestore did most of the work on this. It sounds like their render farms were working over time! So the question is, as it was shot on an Arri Alexa, and mastered in 2K, how much extra would it have cost to do all the post work if...
For those that don't know, the Digital Production Partnership (DPP) is a UK based body to help find a common set of standards for digital file delivery across the industry. They've just updated their white papers and MXF MetaData App to include new specifications/guidance for 4K delivery...
Hello fellow RedUsers,
After 10 years of working in the TV industry (Post and live) in London, i decided that it was time to take a little break a see a bit more of the world. I've been travelling around south east Asia for the last 5 months now, and am working my way south down to Australia...
http://www.bbc.co.uk/news/technology-22872891
Film always leads the way in quality, but broadcast always has it's fingers in the pie too. The seeming pointless $18K 4K camera http://www.reduser.net/forum/showthread.php?101414-18-000-4k-camera-from-JVC from JVC is actually of interest to those...
http://www.broadcastnow.co.uk/techfacils/cooke-expands-to-meet-demand-for-pl-lenses/5056967.article?blocktitle=LATEST-TECHNOLOGY-NEWS&contentID=1151
I guess the more available film cameras are to the masses (Red/Alexa being cheap compared with conventional film cameras) the higher the demand...
http://www.broadcastnow.co.uk/techfacils/telegenic-buys-xt3-servers-for-4k-truck/5056892.article?blocktitle=LATEST-TECHNOLOGY-NEWS&contentID=1151
The interesting thing here is that Sony are sending the truck, but Telegenic clearly state they prefer to use the AVC-I codec, which belongs to...
http://www.broadcastnow.co.uk/techfacils/pinewood-studios-200m-expansion-plans-rejected/5056154.article?blocktitle=LATEST-TECHNOLOGY-NEWS&contentID=1151
Building anything on 'Green Belt' land in the UK is always a contentious issue and i can see why the vote was so close. Still, it's not good...
http://www.digitalspy.co.uk/tech/news/a476456/sony-bbc-to-trial-4k-tv-broadcasts-of-wimbledon.html
They're using Sony kit it seems......there was a trial last year of the football at the Emirates involving a RED camera also, see the post a few down from this one.
I'm looking to doing a red aerial shoot instead of a 1920x1080 HD over London. Need to film various locations like the Eye, Big Ben, Shard etc and am keen to get as much detail in my shots as possible.
What i'm after is recommendation of who to use and some tips on how best to do it. I've found...
So, i have a fair few Z800's to build. I've got the first one ready with our first Z800 CS6 image and want to ensure it's a fast as possible. Inside the unit, we've got a BlackMagic Decklink HD Extreme 3D and Quadro 4000. Currently, this is the card configuration we have.
Slot 1 - PCIe x8m/x4e...
Didn't Jim use to kidnap staff members at Oakley on their birthday, just for fun?!?!? Don't tell me that RED's gone straight laced and there's no office banter, i want to hear all the stories :001_tt2:
Do people still use waveforms in hardware form? When working with 4K footage, how would i get a 4K signal into a waveform to monitor my signal accurately?
TIA, Simon
Has anyone worked with it yet???
http://en.wikipedia.org/wiki/General_Exchange_Format
I'd like to work with these file types in Premiere if possible without the need to re wrap them or transcode. Does anyone know if it's compatible? What about FCP??
Thanks, Simon :bigear: