Recent content by Mike Kozlenko

Selling my Zeiss Otus 55mm 1.4 Canon EF. Located in Austin, TX. Looking for $2200 + shipping. Condition is 9/10. Includes cine ring that can be easily removed and a lense pouch, and a lense hood that I forgot to include in the pictures. Let me know if you’d like to see more photos.

Hey everyone! I wanted to share about a film I DP'd & was an EP on that shot in late 2019 & released last year to several streaming services. White Fire tells the true story of a young boy's battle with bone cancer and his family's fight to carry him through. Written & Directed by the older...

If anyone has a Small HD 503 they don’t use a whole lot, would love to scoop one up

Hey all! Wanted to share some work I DP'd: shot on a Red Gemini (skintone OLPF) & some rehoused Leica R's: Curious to hear your thoughts!

Have this extra 240GB XQD card. The box is open but the card is not used and hasn't been put into a camera. $340, I'll cover US shipping.

If anyone has an extra tripod laying around that they don't use, I'm in the market for one. Would prefer something with a 25lb payload, and a reputable brand like a Sachtler or Miller. I'm getting it for an FX9 package I'm building. My budget is kind of low, only $1500, so this may be tough to...

Any tips or best practices with matching Gemini with Helium seamlessly? Things to keep in mind or look out for? Shooting a narrative with these. Gemini as A-cam and Helium as B-cam that I'm hoping to leave set up on a Ronin 2 for most of the show. Thoughts? I'm going to do plenty of tests...

Hey folks, I shot this 2 months ago, it got released like 1 month ago, but I haven't gotten a chance to post about it til now. Fun little simple project I was fortunate enough to shoot. As the thread title says, Red Epic Dragon with Standard Speeds, shot wide open (T2) at ISO 320. standard olpf...

Hey folks! Just wanted to share some frames from a brand film I shot a few weeks back on the Scarlet-W + Sigma Art lenses. I also wrote a little blog post on my website sort of recounting what I did if anyone's interested. https://www.mikekozlenko.com/post/making-rocks-sand-look-cool

I've been using a couple different Kodak film emulation LUTS from VisionColor over the past few months for on-set monitoring but I'm experimenting with different color profiles and LUTS. Curious what some of you guys like to use regularly.

I'm in the market for ND's and I've been told by a couple people that Firecrest ND's are pretty fragile & scratch easily. Just wondering if anyone has had this experience with these ND's? I couldn't find anything online about their supposed fragility but I just wanted to double check on here...

I'm shooting a super run-n-gun doc project where A-cam will be a Scarlet-W with standard OLPF and B-cam is Sony FS700 + Odyssey 7Q shooting 2k prores. I likely won't have the chance to shoot color charts on the go, so I'm wondering if you guys have any suggestions on this. I might be in some...