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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Recent content by Edward Goldner

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    [FS: OPTICS] Zeiss Mk1 Standard Speeds (16mm, 24mm, 32mm, 50mm, 85mm) PL Mount

    Zeiss MK1 Standard Speed set (16mm, 24mm, 32mm, 50mm, 85mm) in great condition, overhauled by Duclos with high quality PL mounts, gears and fronts + high quality custom case. All lenses are T coated with the exception of the 80mm. Below is Duclos' report when I had the lenses overhauled, most...
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    [FS: OPTICS] Tokina 11-20 mm T2.9 PL mount + Extras

    Tokina 11-20mm T2.9 PL Mount Tokina Screw-in Clear Filter Tokina Screw-in ND.3 Tokina Screw-in ND.6 Tokina Screw-in ND.9 Custom Case Purchased new from CR Kennedy in Australia. This lens has been used for one studio shoot and is in absolutely mint condition - optically and cosmetically like...
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    [FS: OPTICS] [FS: OPTICS] Zeiss Mk1 Standard Speeds (16mm/24mm/32mm/50mm/85mm) + Macro Zoomar Set

    In Arri Std mount, Imperial markings. 16mm Distagon T* / Nr61620022 24mm Distagon T* / Nr5993659 cleaning marks + small scratch front element (does not affect image) 32mm Planar T* / Nr6169476 50mm Planar T* / Nr5736779 85mm Planar / Nr4491667 cleaning marks + small scratch on front...
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    Guy Pearce - 'Storm'

    Hey there, Thought I'd share a music video I shot for Guy Pearce earlier this year. http://www.edwardgoldner.com/#!storm/c13xf I worked with a Red Epic and Phantom Miro for the majority of material with a set of Cooke 5i lenses. The exterior day-for-night material was shot on a Dragon with...
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    Black and White on the Red One

    Hello, Just wondering if anyone has used the Red One to shoot black and white material. If so, I'd really appreciate hearing your general thoughts on how it came out. Also, it'd be great to see some footage if anyone knows of links. Thanks very much for your time, Edward Goldner
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