Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)
I have 3 FX shots that were sent to the production house and returned to me as DPX frames. When I try to match them back into the sequence, by importing them into Color (since FCP doesn't natively import DPX what the heck) I find a whole new nightmare. Matching the Red footage natively shot...
Have a handheld shot that has a bit too much wobble to it. I'm looking for the most elegant solution to smoothing a shot that has a bit too much shake to it in the FCP workflow. Is there a way to simply use the FCP smoothcam plugin or should I be working with something else such as Motion or...
First, just want to thank everybody for all the great info I've found already on this forum. This is an invaluable resource.
Here's the challenge I'm dealing with... I've ingested the R3D files into FCP and I'm working with about two hours of footage pairing it down to a 11 minute scene. Some...
I've been reading lots of threads, read the white papers, and experimented for days but I still feel stuck with the Red workflow. This is my first project editing red footage. I've shot about 90 minutes worth of footage that needs to be edited down to a 10 minute scene for online sharing. I'm...