EPIC images...

[Jannard]

Shot these in the RED Studios saloon...

EPIC 5K 2:1, RPPs, ISO 800. Grabs from 24fps.

Entire crew was Jarred, Justin and myself.

Cowboy- Dudley
Hostess- Buddy

Jim

"Period" grade on Page 15...

 

[Jason Ing]

Fantastic. What was it graded on?

I love that the old west was civilized enough to have cup holders.

And is he Red Studio security?

 

[Jannard]

Fantastic. What was it graded on?

REDCINE-X

Jim

 

[Eisen Feuer]

omnomnomnom

 

[Leaf Baimbridge]

i don't think they had filtered cigarettes back then. Come on guys! Forget it this camera sucks.

 

[Sterling Wescott]

I'm assuming we'll see these in motion in vegas....

You have a saloon in your studio?

 

[CJ Roy]

The second one looks too clean for a period piece...

 

[Luis Ismael]

Very good Jim. Congrats

 

[Justin O'Neill]

i don't think they had filtered cigarettes back then. Come on guys! Forget it this camera sucks.

I see we have a couple script supervisors on here hehe.

Gorgeous images!

 

[Tonaci Tran]

Drop dead gorgeous images. I can't imagine watching this stuff projected in 4k.

 

[Greg M]

I always wanted a Saloon

 

[Tony Augustinack]

Great work Jim! It's unreal how pristine the image is at ISO 800. Any chance of some additional moving images? :drool:

 

[Bayden Docking]

Wow, that looks amazing. But you already knew that.
Doc.

 

[mikeburton]

The detail in the lanterns is incredible. Nice stuff!

 

[Jason Ing]

The second one looks too clean for a period piece...

Don't tell Cowbuy Dudley that. Looks like he has an itchy trigger finger.

 

[Jason Ramsey]

Drop dead gorgeous images. I can't imagine watching this stuff projected in 4k.

hopefully, we will get to next week

 

[Jannard]

The second one looks too clean for a period piece...

Everywhere you go there are critics...

We shot this in a couple of hours, no time to go out and buy a pack of Camels.

Making this shot "dirty" is pretty easy. I'll try that as soon as we build some cameras. Deal?

Jim

 

[Roberto Lequeux]

Very nice looking images. What would you say ISO800 is your favorite? It seems a lot closer to the sweet-spot than ISO500.

 

[Lars Steenhoff]

Love the expression on her face!

 

[Eisen Feuer]

As usual the only downside is JPEG compression being misleadingly choppy in the darks. I can see the DR really revolutionizing in the feel of historic films. We've always seen saloons in movies lit by electric lights behind the camera and unrealistically luminous chandeliers. Going back in time, say, to the medieval ages we only have candlelight, fireplaces and torchlight as well. With this and the promise of an HDR mode to come (hopefully capable of staving off fire from clipping) I can see historic films lit in this fashion getting a dark, realistic makeover (while still being able to see the actors