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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Need second card for CC monitoring!

Just get the DreamColor and a mid level Nvidia card. you'll be fine.

Then later on get a quadro CX with 10bit and the acceleration for Premiere renders, BLAZING fast!
 
Guys,

thanks for all the replies, unfortunately we started going the tek way once again (wouldn't be reduser otherwise :-) and started arguing the virtues of 8 vs. 10 bit, HDMI vs. SDI, etc. Like I said, all I really want, is a way to accurately and relatively cheaply display proper colors in front of me since I grade all of my work, even whatever I send to professional colorists down the line for a top pass, as a reference of what I want. The idea of the plasma really intrigues me, I hadn't thought of that, and yes, I'm sure that a properly calibrated plasma with HDMI would do what I need. Thing is, I set up my color monitor over my two workspace monitors, about 1 1/2 feet/45 cm from my eyes, and a 42" monstrosity would obliterate my field of vision that close to it. Yes, oddly, I am complaining about those plasmas being too big, so if I can find something in the 30-32" range, then I might go with it. The Dreamcolor does produce great results, but without the display port, it doesn't appear that you can take advantage of the very features that set it apart, so I might wait on it until I get a Quadro CX and that workflow is more widespread.

Thanks for the advise, and with that in mind, I assume that a HDMI splitter would allow me to feed both a smaller plasma for my own use and a bigger 50" one for customer review outside of the office?
 
Then later on get a quadro CX with 10bit and the acceleration for Premiere renders, BLAZING fast!

Obin, I thought the CX only accelerates things like H.264 encoding, which is great but not worth that kind of money at the moment for me. Is there anything else it does for Premiere, can you elaborate on what those "renders" are? Because more functionality might suddenly turn that card into a gotta-have rather than a sometime-next-year purchase...
 
matrox mxo2 mini for PC
>$500
10 bit output through HDMI (4:2:2 only but big deal)

panasonic plasma...g12 panel...10 bit color good for HD grading
>$2000

you pay a lot more if you want HDSDI....

if you want to go the dreamcolor way
get the ATI FirePro(10 bit displayport) for less then half the price of the quadro....and skip the cost of the SDI to displayport adapter

Just remember that there are some major limitation to the MXO2 mini....720P at 24 frame rates plays back with a pulldown to 59.97 and there is no true 1080P playback (only 1080psf .."progressive segmented fields")
 
good to know....

i think i'll probably go with the AJA IO express anyway....
 
Interesting thread you guys.

Having only taken delivery of my R1 last month I'm very keen on the grading side of things to be workable.

I have at my disposal an ISF calibrated 1080p Panasonic AE2000 LCD projector, and a panny plasma which is also calibrated.

From cs4/vista 64 what is the best way of driving these assuming HDMI? Do I use an additional card, or is it there way to send the video overlay to the HDMI full screen with output and the desktop/GUI to regular a LCD monitor. (assuming card has HDMI + DVI output.)

Looking for simple and useable rather than the last word in quality.
 
BM Intensity should be enough, and their drivers fo CS5 are in the works.
 
monitors -video in- proceesing signal

monitors -video in- proceesing signal

For real and hard Color Work with RED (12bit) in film workflow, belive me, you prefer SDIHD Real 10/12 bit Monitor color processing with minimun 10 bit LCD Panel embed.
I have both HDMI and SDIHD, is diferent color feeling.. you move little bit your color panel ball and.. SDIHD Signal Move Colors!!, HDMI move colors litte and DVI-D Dreamcolor is very static.. this my experience.. for me in real world dont brochure or web site spec. SDIHD is real for color space and custum LUT etc etc. and you can jump to 4.4.4. with Display port and hdmi use for program and OS or edition big monitor reference LEDS or Plasma, not real color reference... of course for film ..in HD World 4.2.2 sdi convert to HDMI or Displayport directly is ok.
Videocard send pure signal but monitor need processing and show in panel.
 
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