Chris Parker
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to start, an editor that is cutting this project has asked for DV25 clips to use as their offline, anamorphic. i could use some help on this one. here is what i did, in a step-by-step summary:
1. transcode .r3d files in red rushes to 640 X 480 with stretch set (editor wanted DV25 anamorphic files to edit with). transcoded into QT, DNxHD 36.
2. load these transcoded QT's into metacheater.
3. in settings window, set to 23.98 and hd 1080. did nothing on the main page in the lower right corner (24 to 30, etc. area). saved this ALE.
4. open media composer. set project to 1080p 23.98. load ALE into bin.
***5. switch project format back to NTSC 23.98.
6. batch import all clips in bin from ALE at DV25 codec.
7. AVID now makes MXF media. this is useable by media composer and when i play the clips, the timecode display above where the clips play is in a 23.98 timebase, and matches the .r3d files' timecodes in REDCine.
so...have i done something wrong? will the EDL that is exported by the editor's AVID after the cut is done work properly when loaded into the colorist's suite? is there a better, more rock solid step-by-step that you could give me to get the editor DV25 clips to cut with that WILL work downstream during conform??
If anyone has done this successfully a simple, yet detailed, step-by-step for getting to DV25 MXF files using RED tools and AVID would be appreciated.....for me it absolutely essential that the conform (happening 3 weeks after the edit is done) works.
thanks....
1. transcode .r3d files in red rushes to 640 X 480 with stretch set (editor wanted DV25 anamorphic files to edit with). transcoded into QT, DNxHD 36.
2. load these transcoded QT's into metacheater.
3. in settings window, set to 23.98 and hd 1080. did nothing on the main page in the lower right corner (24 to 30, etc. area). saved this ALE.
4. open media composer. set project to 1080p 23.98. load ALE into bin.
***5. switch project format back to NTSC 23.98.
6. batch import all clips in bin from ALE at DV25 codec.
7. AVID now makes MXF media. this is useable by media composer and when i play the clips, the timecode display above where the clips play is in a 23.98 timebase, and matches the .r3d files' timecodes in REDCine.
so...have i done something wrong? will the EDL that is exported by the editor's AVID after the cut is done work properly when loaded into the colorist's suite? is there a better, more rock solid step-by-step that you could give me to get the editor DV25 clips to cut with that WILL work downstream during conform??
If anyone has done this successfully a simple, yet detailed, step-by-step for getting to DV25 MXF files using RED tools and AVID would be appreciated.....for me it absolutely essential that the conform (happening 3 weeks after the edit is done) works.
thanks....