Gavin Rizza
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Hello All
Recently we've just completed our first batch of graduation films shot on the RED. We've had our fair share of good and bad but on balance mostly good. As these were the first films any of us produced with the camera we chose to treat look as "burnt in" ie no grading within the red apps.
I'm now however wondering what the best options are to create a best light export to give us the most gradable image for use in Avid Symphony.
I've had a look around the fourms but I'm still struggling to understand what colour space gives us the best latitude for HD finishing in the Avid.
Many Thanks
G.
Recently we've just completed our first batch of graduation films shot on the RED. We've had our fair share of good and bad but on balance mostly good. As these were the first films any of us produced with the camera we chose to treat look as "burnt in" ie no grading within the red apps.
I'm now however wondering what the best options are to create a best light export to give us the most gradable image for use in Avid Symphony.
I've had a look around the fourms but I'm still struggling to understand what colour space gives us the best latitude for HD finishing in the Avid.
Many Thanks
G.