Jason Weitz
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- Jan 30, 2009
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I couldn't find anything when I searched, but sorry if this is a repeat.
I've been using the proxy work flow, using half-rez (high rez?) proxies for 4k footage. I have (for the most part) been able to easily trim clips in FCP, and would like to continue to use this method, as it is saving me time and disk space. However, upon sending to Color, several of the clips have playback issues. They will play a few seconds, and then they start looping a few frames until the end of the clip duration. Others are nothing but loops of a few frames throughout the clip's entire duration, and others still (separate project) will have a crazy playback where all I can see is a rapid succession of four or five frames from throughout the timeline, looped over and over. Tragically, it all carries over to the rendered .movs. I know this can be solved with the L&T method, but I'd like to avoid that if possible. Has anybody else had similar experiences?
I've been using the proxy work flow, using half-rez (high rez?) proxies for 4k footage. I have (for the most part) been able to easily trim clips in FCP, and would like to continue to use this method, as it is saving me time and disk space. However, upon sending to Color, several of the clips have playback issues. They will play a few seconds, and then they start looping a few frames until the end of the clip duration. Others are nothing but loops of a few frames throughout the clip's entire duration, and others still (separate project) will have a crazy playback where all I can see is a rapid succession of four or five frames from throughout the timeline, looped over and over. Tragically, it all carries over to the rendered .movs. I know this can be solved with the L&T method, but I'd like to avoid that if possible. Has anybody else had similar experiences?