Ace9
Member
- Joined
- Jul 31, 2008
- Messages
- 17
- Reaction score
- 0
- Points
- 0
- Age
- 46
- Location
- Currently Alamo, TX
- Website
- www.ecantu.net
Ok
I am ashamed that this is my 3rd post since I neither ordered or own a red and the fact I am not a "industry proffesional".... I have however been reading this forum since the rumors of red and I am astonished at the trajectory of this morden marvel of techno lust has evolved to.
Even tho I am not a working pro I could be classified as a pro-hobbiest I have been cutting on pc using Adobe since 4.5 back in 94 with every revision up into CS3 always on custom built machines. Using Digital 8, XL, XL2 & HVX200 shooting a bunch of mostly personal travel, friends weddings, music video for local bands and even DP'd/Editied/Sound mixed a 77min really indie movie on camcorders that made it into CineSol Movie Festival that cost like 3 thousand. ( http://www.youtube.com/watch?v=xqR33tTSrd8&NR=1 )
To get to the point, I did a short stint for FOX Rio of South Texas before coming to Dallas, I got to touch a FCP/MAC/DECKlnk system for the first time I thought wow, this is what people talked about. Even tho i still prefer PPro I can see tha appeal of a MAC/FCP combo. But the premium was just not fiscal for me for a home studio and some 20k+ dream cams.
Than red pops on the scene with there sub 18k 4k resolution lusty monotlith. HOLY CRAP but ah las still out of the range of this poor lil technichian.
THEN LIKE MOSES FROM MT SINAI, SCARLET.... 3k for 3k... I ran out and sank 7k on a MAC PRo 3ghzQuad,/FCP/AJA and soon a Scarlet CAM.... TEARS..... Than a few days later ****R3D Native Support for PPRo***** Awwwwww the irony. NOT mad as I have fallen in love with my Mac system setup and already put in the order for Adobe PRO Master Collection for mac and look forward to get back int the chair and use the tool I have been throught thick and thin again.
ADOBE IM COMING HOME
SO MAKE WITH THE PLUGIN ALREADY !!!!!!! :construction:
I am ashamed that this is my 3rd post since I neither ordered or own a red and the fact I am not a "industry proffesional".... I have however been reading this forum since the rumors of red and I am astonished at the trajectory of this morden marvel of techno lust has evolved to.
Even tho I am not a working pro I could be classified as a pro-hobbiest I have been cutting on pc using Adobe since 4.5 back in 94 with every revision up into CS3 always on custom built machines. Using Digital 8, XL, XL2 & HVX200 shooting a bunch of mostly personal travel, friends weddings, music video for local bands and even DP'd/Editied/Sound mixed a 77min really indie movie on camcorders that made it into CineSol Movie Festival that cost like 3 thousand. ( http://www.youtube.com/watch?v=xqR33tTSrd8&NR=1 )
To get to the point, I did a short stint for FOX Rio of South Texas before coming to Dallas, I got to touch a FCP/MAC/DECKlnk system for the first time I thought wow, this is what people talked about. Even tho i still prefer PPro I can see tha appeal of a MAC/FCP combo. But the premium was just not fiscal for me for a home studio and some 20k+ dream cams.
Than red pops on the scene with there sub 18k 4k resolution lusty monotlith. HOLY CRAP but ah las still out of the range of this poor lil technichian.
THEN LIKE MOSES FROM MT SINAI, SCARLET.... 3k for 3k... I ran out and sank 7k on a MAC PRo 3ghzQuad,/FCP/AJA and soon a Scarlet CAM.... TEARS..... Than a few days later ****R3D Native Support for PPRo***** Awwwwww the irony. NOT mad as I have fallen in love with my Mac system setup and already put in the order for Adobe PRO Master Collection for mac and look forward to get back int the chair and use the tool I have been throught thick and thin again.
ADOBE IM COMING HOME
SO MAKE WITH THE PLUGIN ALREADY !!!!!!! :construction: