Zack Birlew
Well-known member
- Joined
- Dec 28, 2006
- Messages
- 1,462
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- Location
- Las Vegas
- Website
- www.babsdoproductions.com
Hi, everybody, so I picked up the new “Elf” 4K UHD Blu-ray after seeing some reviews on YouTube and seeing the new HDR color grade. The thing is, I thought that there was something wrong with their upload settings or some YouTube compression issue because the new UHD color grade they were praising was terrible!
Now confirming what I saw with the UHD in hand, it looks like someone took the original color grade and jacked up the red channel to the point of making grey splotches on faces and sometimes even to the point that it looks like they did selective color just on the reds. I’m watching the snowball fight right now and it’s so uneven that it goes from blue rocks to orange rocks as it cuts back and forth from shot to shot. I know there are movies that go after the orange and teal skin tones but “Elf” isn’t one of those movies and it’s as if whoever did the grade tried to force it into that style. The obvious sign of this mishandling is the muting of green and blue and over darkening of colors in general in the North Pole scenes.
The brightness is also off balance as the film’s brightness is overly toned down in general as you can see in the mailroom scene playing as I continue to type this. I can just about see into the turned on shop lights hanging above the characters, I don’t need to see that detail, I would rather clip the shop lights to give more brightness on the actors, it’s ridiculous!
This is a great example of UHD HDR done wrong and why I think they need to go back to the drawing board on HDR mastering practices overall. The goal shouldn’t be to highlight maximum detail in an image, it should be to highlight the actors and create images to further the story and if HDR can help balance out the image then by all means give it an HDR remastering but I think it’s clear we all need to come together and say that it shouldn’t be overdone or done solely to spec because then you’ll get off results like this. If a film balances out and looks better with only a 10 percent boost of HDR without looking unreal then that should be acceptable but as it is, it just looks like everyone is trying to make every film fit in a 95 to 100 percent HDR grade irregardless of style, design, or creative decisions.
Am I alone in this or are the reviewers just mistakenly jumping on board the HDR hype train without consideration?
EDIT: I just threw in the included Blu-ray with the previous HD grade and other than perhaps adding a slight boost of saturation and contrast for the UHD format, the movie would have looked perfect! Such a miss!
Now confirming what I saw with the UHD in hand, it looks like someone took the original color grade and jacked up the red channel to the point of making grey splotches on faces and sometimes even to the point that it looks like they did selective color just on the reds. I’m watching the snowball fight right now and it’s so uneven that it goes from blue rocks to orange rocks as it cuts back and forth from shot to shot. I know there are movies that go after the orange and teal skin tones but “Elf” isn’t one of those movies and it’s as if whoever did the grade tried to force it into that style. The obvious sign of this mishandling is the muting of green and blue and over darkening of colors in general in the North Pole scenes.
The brightness is also off balance as the film’s brightness is overly toned down in general as you can see in the mailroom scene playing as I continue to type this. I can just about see into the turned on shop lights hanging above the characters, I don’t need to see that detail, I would rather clip the shop lights to give more brightness on the actors, it’s ridiculous!
This is a great example of UHD HDR done wrong and why I think they need to go back to the drawing board on HDR mastering practices overall. The goal shouldn’t be to highlight maximum detail in an image, it should be to highlight the actors and create images to further the story and if HDR can help balance out the image then by all means give it an HDR remastering but I think it’s clear we all need to come together and say that it shouldn’t be overdone or done solely to spec because then you’ll get off results like this. If a film balances out and looks better with only a 10 percent boost of HDR without looking unreal then that should be acceptable but as it is, it just looks like everyone is trying to make every film fit in a 95 to 100 percent HDR grade irregardless of style, design, or creative decisions.
Am I alone in this or are the reviewers just mistakenly jumping on board the HDR hype train without consideration?
EDIT: I just threw in the included Blu-ray with the previous HD grade and other than perhaps adding a slight boost of saturation and contrast for the UHD format, the movie would have looked perfect! Such a miss!
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