Welcome to our community

Be a part of something great, join today!

Log in
  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Step, turn & sexy

Love the variations

Love the variations

Thanks for sharing the variations on the looks. Inspiring. BH
 
Project X said:
1000_1189594135.png
Click to expand...

Wow! What a difference! I really like this one, completely different!
 
Interesting, really interesting.
 
Thanks Evin. Nice work.
 
Love the dramatic look omen. By far the best one yet IMO!
 
Glad you like it. Thanks, Fix! :-)
 
Evin,
You mentioned in an earlier thread that you were shooting with Zeiss standard speeds, but this stuff was shot with super speeds. Have you used standard speeds? if so which lenses and how did the perform on the camera?
 
Congratulations, the clips were very good!
BTW, on the "Step" video the banding around the light wasn't on the original, was it? I bet it's a h264 issue!
 
Bi=bo

Bi=bo

Beauty In = Beauty Out!

I'm talking about the RED footage that's has been posted so far in h264. I've put some of the frame grabs and .MOVs up on a 60' wide screen (with a 2K digital cinema projector set to Rec709) and the image holds up fantastic. Really impressive. RED and h264 .MOVs are a killer combination.
 
cailyoung said:
Just stop down or ND down at the camera and bring it back up in post. Expose to the right!
Click to expand...

I just read this thread, a little late for this answer, but anyhow...

To protect your highlights you expose to the LEFT, not to the right. Exposing to the right is for maximum detail, but doesn't work with highlights.

Cheers,
Damien
 
Emmanuel Cambier said:
I guess he meant "expose for the right"
Click to expand...

Sorry, yes, it's a bit of a misleading sentence. What I mean is that when you're in a doco situation and you want to retain highlights you just need to keep the histogram towards the right of the range without jamming it up there - thus the 'stop down' recommendation.
 
It's called expose to the right because you expose as far right as possible without clipping highlights. If your highest value with center-weighted exposure is 80, expose to the right until it's 99. As long as nothing clips, you want all of the data as far right as possible, juicing up your shadows over on the left.
 
You must log in or register to reply here.
Back
Top