Tom Wills
Active member
I think Tom Wills explained somewhere, that arms are mostly ise-elastic only at a certain weight. So that even most iso-elastic arms must be used with a special payload to react this way. Sorry Tom if I misquote you.
I know this was posted a bit ago, but since I like discussing technical things, I figure I'd clarify some things about "Iso-elasticity". Your quote is accurate, but it is a bit of a simplification.
First of all, yes, Iso-elastic is a marketing term created by Tiffen (Cinema Products, actually, but Steadicam nonetheless), and trademarked. So, no other manufacturer can use it to describe their rigs (which is why Glidecam refers to their arms as "Dyna-Elastic"... yeah...)
What Iso-elasticity describes is an arm that requires little force to boom. Some Steadicam arms, like the tried-and-true 3A (the design which the ProLine is based off of), required quite a bit of force to boom up or down significantly. The amount of force required went up as the arm was adjusted for lighter loads, and went down as the arm was adjusted for higher loads. For this reason, the 3A was offered with different set bis of springs, which allowed you to have a spring set that would cover the cameras you needed to fly, while keeping the rig towards the top of the springs' weight range.
Newer arms are generally designed with more high-tech materials and physics, and require less force to boom up and down, but the details of how arms will perform, and what kind of force will be required to boom, depends on the geometry of the arm, the metals used in the springs, and the mechanics of how everything is put together. Some arm designs, like the one used by Liang and several other Chinese manufacturers, will require more force to boom up and down as they take more weight. The ProLine's design should be the opposite - less force to boom as the sled gets heavier. In comparison, all of the lower-end Steadicam arms at the moment have little change in the boom force required through their entire weight range (probably just a few ounces difference, and no more than a couple pounds total). Steadicam's current higher-end arms are tunable for the level of force required to boom, and that can be anywhere from ounces to several pounds.
All of this is pretty abstract though, and the thing to remember is that there are many operators today who still fly 3A arms (and even older arms sometimes!), and get beautiful shots with them. The force required to boom the rig should make absolutely no difference in the stability the shot. Sure, it's a bit easier for the op to boom with an arm that requires less force, and possibly you can finesse the rig a bit more, but the difference should not be significant.
A quick tip for working with an arm that has the kind of boom forces that the ProLine has: Set the arm so it floats a little low. Don't be afraid to carry a tiny bit of weight. It may help you avoid seeing footsteps in the shot a bit more. Also, if you know you're going to have to boom down significantly during a shot, turn the arm down a bit, and hold it up for the higher portion of the shot. It's easier, and more intuitive to hold the rig up a bit, than push it down.