ProRes

[Steve Phillipps]

If R3D material is transcoded to ProRes and edited, presumably you are more limited in terms of colour correction and other adjustments than you would be with the original RAW files. So once you've done your offline, is it possible to reference the shots in your timeline to the original RAW files, process the RAW and then replace the shots in the timeline with the processed versions?
Steve

 

[Gunleik Groven]

You just made a very good description of the Crimson Workflow. Congrats!

Now go and download and be happy ever after


It is really THAT neccesary @ the moment.

 

[Radoslav Karapetkov]

Is this ever going to be available for Windows?

 

[Dylan Reeve]

Is this ever going to be available for Windows?

Once Windows support for RED is more evolved, then I'm fairly sure Crimson or something like it will be available.

 

[ThomtheEditor]

that's a huge reason why crimson was developed, so red footage could be edited on systems that red wasn't "working" with to develop (ie apple); although i'll continue to use the term loosely until everything is actually working