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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

In-Camera Fake Anamorphic

Matt W.

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I'm shooting a fun video project and I want it to look like we used anamorphic lenses, just for kicks. I'm making some elliptical waterhouse stops for the front of the lenses to get elliptical bokeh and using an ultracontrast filter because it flares, ghosts, and gives low contrast. Might add fake barrel distortion in post. And crop to 2.35:1, of course.

The optical flares are impossible to emulate satisfactorily but I'm trying to build a behind-the-lens blue streak filter (that sits behind the lens mount) and at least want it to look better than it does currently... So far my best attempt is some monofilament strung vertically and colored blue with a marker. I got kicked out of art class in middle school so I'm compelled to make this stuff; it's Freudian.



It works in a "proof of concept" kind of way but is really dim and the flares are mushy:



My plan now is to take a glass slide, cut it to size so it fits in my camera, and then etch it vertically with a glass cutter, then coloring the etches blue with a marker as before. Wouldn't want to drop a camera with scored sharp glass between lens and sensor, of course.

I know how to make these in post but that defeats the "fun" part of "fun video project" and doesn't look as cool, either.

Just wondering if anyone has tried something similar and wants to share feedback. Don't feel obliged to chip in on this one if you're busy, just thought this would be a fun project.
 
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While you're shoving things behind the lens you could add to your streak filter an oval aperture mask which (when wide open) will give you an oval bokeh, that will add to the fake anamorphic thing...
 
While you're shoving things behind the lens you could add to your streak filter an oval aperture mask which (when wide open) will give you an oval bokeh, that will add to the fake anamorphic thing...

I've tried elliptical masks at the front of the lens (not for that shot, though) and I've had mixed luck. Will try them behind the lens, too. I also put a piece of Rosco silk behind the lens, which made really great flares but obviously diffused the footage too much.

http://vimeo.com/16163158

never mind the marketing jargon.

what im building is adjustable optically in almost every aspect, and a one piece unit.

That's pretty solid. I mean I don't think anything, even the vantage filters (which are pretty good), looks quite like the real thing, but that's about as good an approximation as I've seen. Obviously I'm really curious what you're doing. I understand if you don't want to share, but if you'd be willing to send any advice (via PM or publicly or whatever) I'd appreciate it. I won't divulge any secrets.
 
That vantage blue filter just looks like a bad post production blue streak effect. Awful. Regular $300-400 streak filters look more interesting than that.

If you're going to shoot scope, just shoot scope. You just can't fake it. Period. I mean, what's the point if it's just going to look like a cheap knock-off version of something you love? The fact that people are even trying to fake the stretched bokeh is kind of amazing. All that effort, seems SO silly...just rent some lomos, they're not expensive.
 
I think budget is playing a part, here.

Not everyone can spend a few hundred dollars a day to rent some lomos.

But many people can justify spending a few hundred dollars on a filter or two that will approximate the look of the lomos day after day.
 
Good find Hunter!
I can vouch for Stan. He is a gentleman and VERY knowledgeable about all things regarding filters.
Cheers,
Harry



This is the filter you really want:

http://vimeo.com/9897889

Made by Stan Wallace @ filtergallery.com
Comes in 4x4, 4x5.65 and 6x6 in various colors and strengths- at a fraction of the cost of the Vantage filters.
 
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