Andrae Palmer
Well-known member
- Joined
- Sep 1, 2007
- Messages
- 2,480
- Reaction score
- 1
- Points
- 38
- Age
- 52
- Location
- Fort Lauderdale, FL
- Website
- www.facetmedia.com
System configuration:
Davinci Resolve v7.0.3
Mac OSX 10.6.6
2 x 2.66 GHz 6-core Intel Xeon
24GB RAM (6x4GB ECC in triple channel config)
ATI Radeon HD 5770 Slot 1
NVIDIA Quadro 4000 Slot 2
G-RAID 2TB media drive connected via FW800
Dual 30" Apple Cinema Display
Before running Davinci Resolve, didn't realize that CPU debayering of RED footage was possible at 1/2 Res and realtime. Wasn't even aware that this would be the method that Resolve uses. Was thinking debayering would be GPU based with the Quadro 4000. Terrible experiences in Redcine-X, Final Cut Pro and all apps that are not multicore optimized made me ignorant to the possibilities. Then again I've only had a 12-core for the past month and wasn't totally aware of what it's real capabilities are regarding debayering RED footage. Was pleasantly surprised to see this:
click for larger version

CPU load 1920x1080 timeline at Half Res. Good (add 4-5% more for 2K film timelines):
It's a pleasure to see all 24 virtual cores being utilized and the UI being very responsive even with all 4 scopes loaded on dual 30" Apple Cinema Display setup. Since then I've added all kinds of secondary nodes to push the GPU. Found out the only thing that gives the system a hiccup is 3+ nodes of blur. With realtime playback at 1920x1080 possible on a 12-core at "Half Res. Good". I would recommend going this route instead of a RED Rocket (especially if financially challenged). I've seen many on here tout their experiences with a hackintosh and GTX 480, etc. I don't really quite understand using playback settings at a 1/4 res or 1/8 res on a desktop computer. The main holy grail of Davinci Resolve is realtime performance. If you are grading RED 4k RAW... you should at least be able to preview it at HD resolution decently in realtime on a professional monitor.
My opinion is that if someone is using a hackintosh system then it should supersede the capabilities of a certified system. The pro's would be more expansion slots and access to faster GPUs. The con is that to get a professional hackintosh system you are looking at costs that start to enter the realm of certified systems. I just don't see the point of cost cutting just to get a 1/4 res or 1/8 res realtime playback with a superfast GPU.
I'm really excited at now having the possibility of being able to grade 4k footage on a 4k res timeline. Wow! Look how fast the world of tech is moving. Thank you Blackmagic! What your company is doing in the world of post is just as important as what RED s doing with the camera.
Davinci Resolve v7.0.3
Mac OSX 10.6.6
2 x 2.66 GHz 6-core Intel Xeon
24GB RAM (6x4GB ECC in triple channel config)
ATI Radeon HD 5770 Slot 1
NVIDIA Quadro 4000 Slot 2
G-RAID 2TB media drive connected via FW800
Dual 30" Apple Cinema Display
Before running Davinci Resolve, didn't realize that CPU debayering of RED footage was possible at 1/2 Res and realtime. Wasn't even aware that this would be the method that Resolve uses. Was thinking debayering would be GPU based with the Quadro 4000. Terrible experiences in Redcine-X, Final Cut Pro and all apps that are not multicore optimized made me ignorant to the possibilities. Then again I've only had a 12-core for the past month and wasn't totally aware of what it's real capabilities are regarding debayering RED footage. Was pleasantly surprised to see this:
click for larger version

CPU load 1920x1080 timeline at Half Res. Good (add 4-5% more for 2K film timelines):
It's a pleasure to see all 24 virtual cores being utilized and the UI being very responsive even with all 4 scopes loaded on dual 30" Apple Cinema Display setup. Since then I've added all kinds of secondary nodes to push the GPU. Found out the only thing that gives the system a hiccup is 3+ nodes of blur. With realtime playback at 1920x1080 possible on a 12-core at "Half Res. Good". I would recommend going this route instead of a RED Rocket (especially if financially challenged). I've seen many on here tout their experiences with a hackintosh and GTX 480, etc. I don't really quite understand using playback settings at a 1/4 res or 1/8 res on a desktop computer. The main holy grail of Davinci Resolve is realtime performance. If you are grading RED 4k RAW... you should at least be able to preview it at HD resolution decently in realtime on a professional monitor.
My opinion is that if someone is using a hackintosh system then it should supersede the capabilities of a certified system. The pro's would be more expansion slots and access to faster GPUs. The con is that to get a professional hackintosh system you are looking at costs that start to enter the realm of certified systems. I just don't see the point of cost cutting just to get a 1/4 res or 1/8 res realtime playback with a superfast GPU.
I'm really excited at now having the possibility of being able to grade 4k footage on a 4k res timeline. Wow! Look how fast the world of tech is moving. Thank you Blackmagic! What your company is doing in the world of post is just as important as what RED s doing with the camera.