Scott Dominick
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Currently, the production house we're working with supplies us with MXF files, AFE files, and ALEs. We batch import the AFEs/MXF media into Avid and merge the ALEs for full RED metadata. Then do our offline. Usually, we generate an EDL and use this in Rubber Monkey to generate DPX files for our Inferno artist to use in the final online. This workflow isn't always efficient for our online editor when dealing with music videos that have tons of long fades and funky effects.
Thus, at this point we'd like to utilize AMA and relink a high res cut in the Avid before giving an uncompressed none QuickTime to our colorist. This way he only needs to color correct and not have to conform and create new effects for everything.
So far I've tried to relink to original AMA but it doesn't seem to work. Is this because you can only relink to AMA when AMA was originally used? I'm assuming this is the case. Is there extra hidden metadata in consolidated/transcoded media that states that AMA was used?
Thus, at this point we'd like to utilize AMA and relink a high res cut in the Avid before giving an uncompressed none QuickTime to our colorist. This way he only needs to color correct and not have to conform and create new effects for everything.
So far I've tried to relink to original AMA but it doesn't seem to work. Is this because you can only relink to AMA when AMA was originally used? I'm assuming this is the case. Is there extra hidden metadata in consolidated/transcoded media that states that AMA was used?