Rafal Szermanowicz
Active member
- Joined
- Feb 25, 2009
- Messages
- 29
- Reaction score
- 0
- Points
- 1
- Location
- Wroclaw, Poland
- Website
- www.grupa13.com
Hey everyone!
I’ve been shooting on my RED Gemini for over 4 years, primarily in 5K WS.
Most of the time, we edit, grade, and deliver in native format.
I want to ask you what (and why) the best workflow is.
Some considerations:
Cheers
Rafal
I’ve been shooting on my RED Gemini for over 4 years, primarily in 5K WS.
Most of the time, we edit, grade, and deliver in native format.
I want to ask you what (and why) the best workflow is.
- Edit, grade, and deliver in native 5K WS, or
- Downscale everything to 4K (standard or WS).
Some considerations:
- My clients requested a 4K final output (according to YT specs) but haven’t explicitly asked for 5 K.
- Would downscaling to 4K improve perceived sharpness or reduce noise compared to delivering in 5K?
- Does anyone deliver in 5K WS regularly? How has that been received by clients or platforms?
- Do you have any advice on the workflow (e.g., color grading or exporting) for maximizing YouTube streaming quality (editing and grading in Resolve)?
Cheers
Rafal