Jannard
Red Leader
- Joined
- Dec 28, 2006
- Messages
- 8,248
- Reaction score
- 7
- Points
- 0
Here are some positive things that Michael from Plastercity had to say about RED..
Michael Cioni
Digital Intermediate Supervisor
PlasterCITY Digital Post, L.L.C.
#1
From a post perspective, RED is the only digital cinema camera that provides a 4K tapeless end-to-end solution without the need to process files for offline editorial.
#2
Unlike alternative high-end acquisition tools, RED is the only tool that easily affords users the flexibility to choose custom finishing paths from HD tape through 4K DI.
#3
With RED's "R3D" file structure, 4K dailies archiving has dropped from 40 terabytes to 4!
#4
RED's Quicktime based data-centric workflow is the best example of coupling cost effective HD finishing with the ability to later conform a 2K or 4K master.
#5
RED is the only acquisition tool that allows for both independent film desktop finishing or studio Digital Intermediate mastering from one original 4K file source.
#6
Because R3D 4K files are Quicktime aware, RED provides the only render free offline solution for start-to-finish post production.
#7
RED's out-of-the-box thinking has hands-down created the most streamlined Digital Intermediate workflow we've ever experienced.
#8
RED has empowered the independent filmmaker to match levels of image quality only previously affordable to studio filmmaking budgets.
#9
RED's render-free QuickTime edit workflow has essentially simplified the post process for any project, nevermind the fact it is 4K!
Michael Cioni
Digital Intermediate Supervisor
PlasterCITY Digital Post, L.L.C.
#1
From a post perspective, RED is the only digital cinema camera that provides a 4K tapeless end-to-end solution without the need to process files for offline editorial.
#2
Unlike alternative high-end acquisition tools, RED is the only tool that easily affords users the flexibility to choose custom finishing paths from HD tape through 4K DI.
#3
With RED's "R3D" file structure, 4K dailies archiving has dropped from 40 terabytes to 4!
#4
RED's Quicktime based data-centric workflow is the best example of coupling cost effective HD finishing with the ability to later conform a 2K or 4K master.
#5
RED is the only acquisition tool that allows for both independent film desktop finishing or studio Digital Intermediate mastering from one original 4K file source.
#6
Because R3D 4K files are Quicktime aware, RED provides the only render free offline solution for start-to-finish post production.
#7
RED's out-of-the-box thinking has hands-down created the most streamlined Digital Intermediate workflow we've ever experienced.
#8
RED has empowered the independent filmmaker to match levels of image quality only previously affordable to studio filmmaking budgets.
#9
RED's render-free QuickTime edit workflow has essentially simplified the post process for any project, nevermind the fact it is 4K!
